Frage von beginner:
good morning!
quick question s.die knowing:
changed filmed with canon 5d mk2 25 pictures, h246 data with Sream mpg clip to ProRes proxy.
This data then imported into Final Cut Pro 7 on mac book pro.
all cut ...
Now the real question:
as ProRes proxy section is intended for off-yes, I have the proxy data prior to the issue by replacing the orginalenh264 or how does that work?
Antwort von beginner:
one of you will know how the workflow works?
Antwort von beginner:
if I spend out of sequence a QuickTime movie, then ok but looks a bit jerky ...
My question is if I connect again before the output of the single film on the media manager has with the original file to the sequence then can output full quality?
I can not find any reasonable explanation for the workflow ...
Antwort von AD Tom:
The way the media manager is already the correct solution. Detailed answers you get with security in the German Final Cut Pro forum.
However, I think your workflow is far too cumbersome. Convert your recordings in the same s.besten Still Image JPG or ProRes (HQ), throw it on in the timeline and the whole process. Therefore no further Konforming is necessary.
Greetings
Thomas.
Antwort von beginner:
Thanks for the answer! I thought I must take the ProRes proxy! I work with the mac book pro (very new) ... is thus synonymous with hq?
Antwort von schlaflos011:
http://www.slashcam.de/news/single/Vorbildlich--- Canon Workflow White Papers-8803.html
http://www.usa.canon.com/dlc/controller?act=GetArticleAct&articleID=1787
