12 tips for cutting the film

The "digital film" blog are 12 valuable tips for the subjective film editing for a movie to make convincing. Among others are advised: - Dialogues "close" to cut, to be called the unnecessary pauses and unnecessary or repetitive phrases are cut and equally unnecessary to "theatrical" gesture to fake, for "too much" are - dialogues are not in accordance with the model A picture of the actor says his record, editing, actor B responds and says his record - but Schmnitte the visual and audio treat asynchronously, ie at A nor B is talking (and its response to the said by A) to show - Coordinated Cuts to make cuts that the picture from the previous motion, shape, posture or hand position in space take over - Bewegte cuts: in action scenes with moving camera during a camera movement to the next to be cut without cutting the camera until the stop - the eye of the beholder in constant motion as it were - is not always the same camera settings to cut back: if the choice of multiple camera angles of a scene, a scene not in the exact same camera settings of the previous scene (if possible) zurückzuschneiden - Orientation cuts into triplets: from one scene to cut off the shots for a place / room to imagine, then 3-sequences of 1.5-2 seconds scenes well - they resemble the natural round where if you look around, and will orient itself - used the expression of the eyes to observe the cut : intense feelings of good actors are, in large part through the eyes conveys - assuming dialogue cut scenes - create new settings: if the source film material has a good resolution, it is often possible to match new settings in the camera cut to create, by the image is enlarged and then as digital zoom or pan can be simulated, of course, the prerequisite is the material still looks good enough.