With about 2 years delayed Triers comedy "The boss of it all" but still a rental in Germany found. The plot is somewhere between The Office and Remington Steele located, and provide plenty Brechtscher alienation. The really special about the movie is the camera - because as a DoP is a system called Automavision gecredited: Instead of a cameraman Trier has a computer, the shots can be framed, by coincidence, without image recognition, etc., on the contrary, it was even shot on 35mm (and a new Danish film to record material consumption set). He wanted either full control or no, says von Trier, also had the actors in this way no indication how they were positioned in the image and could therefore not always at their best show. "But there was little control of course but . More specifically, the shooting started so that the scenes of Trier dissolved, so the basic camera position for a take-down has, which - based on this first, conventional camera orientation - a computer various parameters (Tilt / Pan, focal length, aperture, horizontal and vertical position) within defined ranges of random changes. They were then apparently by hand on the camera or on the dolly on which it was placed, set, for more accurate turning Setup can translate.google.com/translate?prev=&hl=de&ie=UTF-8&u = http% 3A% 2F% 2Fwww.avm.dk% 2Fartikel% 2Fvisartikel.php% 3Fartikelnummer% 3D4253 & sl = da & tl = en & history_state0 = & swap = 1 (this detailed article) in a Danish journal found (via Google translation). Then the image was again checked. Was he ok, he was accepted, if not, the random function was repeated until a passable picture came out. This was apparently also a few hours, but it is not necessary to hours-long discussions about where the camera should be ... Now to say that raw materials such as this no more invisible editing can be done and hail it as, for example, jump Cuts in the movie. Since the computer also instructions for the sound level and the exposure was, and in the Postpro up to a simple cut on nothing material has been altered, there are also some very strong transitions to hear or see. Even in matters of leadership is a view of the audience on its own, but will normally be through the deliberate Kadrierung the eye of the beholder to the "important" picture parts headed - here without success. A few annotated stills from the film are available in www. davidbordwell.net / blog /? p = 202 (David Wells board blog), and 
here is a report of Guardian to read. The link below leads to the Danish movie page (in English). The German Cinema was started on 15.1.
