
avatar was nominated on Sunday, although for nine Oscars (including the prestigious Best Picture and Best Director), but not for an Oscar for display. James Cameron had eagerly moved in recent weeks the drum to which by
Performance Capture - was established to control movement and facial expressions of animated characters with real Schauspiler - captured acting performance of his actors as equivalent to the normal spectacle idea - but apparently without success. At the critical attitude towards the establishment of the Hollywood actor's value of performance capture has: none of the awarded prior to the Oscars Fulm critics prizes was awarded to the cast of Avatar. The question of whether verantwortlichsind more the actor or avatar in the computer animators for the representational power of the figures, was to the detriment of the show Spier and its Oscar chances to answer. But the question is becoming increasingly urgent in the future with the increasing use of performance guarantees strong capture . And the actor Jeff Bridges is of the opinion that it now would be technologically possible to zusammenzuwürfeln a virtual actor on "60 percent of Clooney, 10% of bridges and some Charles Bronson made". Would result in the performance capture technology to an eternal recurrence of the same old (virtual actors combined with facial expressions and gestures of the most famous actors)? Or give great actors a way to not look as good as Clooney? Cameron certainly believes in the future of performance capture and does everything possible to convince the community of actors, seeing it as an opportunity and not a threat to their profession - and that The descriptive power of an actor with every nuance to see some transparency in the virtual character and so is Oscar-worthy. Or maybe is for the new technology which actually acting and animation will soon include a new Oscar category introduced? Can the animators really captured the movements of facial muscles, even the slightest narrowing of the pupil, or redness of the skin and reproduce? Probably less enthusiastic about the new technical capabilities to produce animated films but his classic film professionals in the workforce: professionals such as make-up digital artists, lighting technicians, chamber and film outfitters men then fall off easily and be replaced by computer animators. 