The German film producer Christoph Müller (including solo album and Sophie Scholl) questioned in this article, the single ticket prices for movies - because no matter how expensive a film in production was at the box office, all films Regardless of any costs 6 euros, the de facto unit price cinema. Muller calls for the production Eintritspreise reflect: Blockbuster although it would be expensive - cheaper productions would then be less at the box office cost. His goal is a little more equality between the expensive Hollywood films, the 100 million U.S. dollars more expensive (and which is also considered), and much less expensive German productions built. The more expensive film production and marketing costs are in fact quite to the cinemas in the form of higher rents passed on - but who then by a (quasi-internal) cross-subsidy from other films, and the payback is not in the Eintrisspreisen again. Christoph Müller argues for a price of 2-3 euro difference between the lavish productions and unostentatious. Quote: "A lavishly-produced film is first and foremost for the valuable audience - whether it be as good or bad turns." And German (or other non-Hollywood) films have this tremendous value review by originality compensate - to film the movie. Had a little more market economy (where the "real" price of a movie in the ticket price reflects) the solution? Why all movies cost the same?
