A bit Muessig at least we now find for the discussion and then the 3D cinema with the same repetitive arguments. To one like it, the other can not stand it (or see), and yes - it can hurt, but not necessarily. An at least slightly different and therefore refreshing perspective on the topic represents this text. His thesis: the cinema tolerate everything, but no standing still: always the film is that many new technological avenues in order to tell stories. So be it 3D or the next technological hype, everything should be seen as an opportunity for experimentation. Some succeed, others can not, and had hoped the Group of the nay-sayers at the time enforced, we would still silent films in black and whitecontemplation ... Speaking: How it happens is just a silent movie in black and white at this years Oscar favorites. The other day in Germany tarnished film en.wikipedia.org/wiki/The_Artist_% 28film% 29 (The Artist) by Michel Hazanavicius is not only accurate at the time of technological upheaval that marked the introduction of sound films, he is of the upheavals in the film industry and sets himself in this creative medium one of those days. The film was shot in color but - (Here) some background information about the production.