The recently to be seen in theaters new movie "Grand Hotel Budapest" has the beautiful opportunity to learn something about the very special style of director Wes Anderson. Because there are a lot of interviews on the net with the work on the film stakeholders and nice clips that look at Anderson's style closer and analyze. Anderson's work can inspire other filmmakers to consciously develop their own film language. So what makes his style? Which means he uses to produce his typical, somewhat artificial movie worlds? As he reached the retro look of "Grand Hotel Budapest"? In how far Anderson has the movie already before the shooting "in the head"? A nice introduction for those who have not seen "Grand Hotel Budapest" (or a reminder for those who knew him alreadylooked at), this featurette about the story of the film: VY = qmLEsdDnyLg As the main setting was (an old hotel in Goerlitz) found or created: VY = VY = gYMfEKELveQ p7xD92rBPVA In www.awn.com / vfxworld / gabriel-sanchez-talks-grand-budapest-hotel (this article) says the VFX supervisor Gabriel Sanchez about the (partly classical analog) special effects and stop-motion shots in the film, which interestingly biggest part in Stuttgart in the local Studio were made by LOOK Effects. PIC 2: Old Photochrom photo as a template for the look Jill Bogdanowicz in the interview about the Grading of "Grand Hotel Budapest", the 9 was performed with DaVinci Resolve and in cooperationwith her father (who was employed as a scientist in the field of colors from Kodak) own photochromic had developed 3D LUT to generate the special Anderson REQUIRED ancient look. A mini documentary about Wes Anderson and his work as a filmmaker (and sought-after commercial director): VV = 76,079,487 And a www.davidbordwell.net/blog/2014/03/26/the-grand-budapest-hotel-wes-anderson-takes-the-43-challenge/ (Interesting article by film theorist David Bordwell about Wes Anderson's very special framing and composition that make up his style or simple. Anderson for a list of typical elements of design here. two clips that Wes Anderson's selective use of (otherwise normally hardly
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