The Dark Knight: analysis of an action sequence

Jim Emerson analyzed for the online film magazine Pressplay, the car chase / action sequence in "The Dark Knight" by Christopher Nolan - which has some serious errors in his opinion. Picture for picture, he tries to understand his video essay, what went wrong at the interface so that viewers tend to be disoriented to be as drawn to the action (at least it's him so gone - and besides he has a few continuity errors after) . Defender (in the comments) lead the field, however, that here deliberately cut normal cry conventions, such as the 180 rule and the other orientation of the audience with valuable information about the pile to be thrown to the chaos that is working fine in the scene . visualize Nolan seems entirely to Matthias Stork found in his essayTrend of chaos Cinema to meet - new films, the cutting rules overboard to throw the viewer to sensory overloaded to enter the consciousness does not have a chance to grasp the gift Instantly. Quite amusing to read the sharp replica, directed by Joseph Khan, who tries to Emerson's arguments to refute image for image. The original sequence (which you should probably look at again before the analysis more accurate): VV = 28,798,112 Analysis: VV = 28,792,404 Two other essays by Emerson, one of an action sequence in Salt VV = 28,957,441, and one more to the famous chase in French Connection, Bullit and The Lineup: VV = 29129274