Frage von *asterisk*:
Hello everybody,
I import into Final Cut mov DVCPro25 one in which I have generated after effects. The mov in after effects is presented in a transparent way, only when I'm in the final cut open the black background, how can I get it now transparent display so that it lies on a film?
Please help me
LG * asterisk *
Antwort von Syrtah:
Hey!
have a similar problem, with perhaps a solution for your thing came out:
You can try to shut the Image of mov-file do the same in Photoshop to open and then with the magic wand to select the area that you want transparent.
Then the lower right (for the channel selection) the selected area as alpha channel (which is a little icon of his black square with a white circle in the middle ...), all other channels and hide the file as a. Gif save.
The gif file you can then in Final Cut Pro to use as a mask, whereby the mov file on the mask and the other of which should lie.
Is a little cumbersome, but should work ...
Best Regards, Syrtah
Antwort von thos-berlin:
The Still Image with the works but only when unbweglichen motives.
I'm not synonymous Final Cut / After Effects expert. But I think that there is no paktisch "moving format with Alpha there.
Therefore, my approach: the clip as a result of TGA images (or any other individual images with alpha channel) format. In this image editing program successes capture. Costs a lot of disk space, but it is the cleanest solution.
Antwort von Syrtah:
The Still Image with the works but only when unbweglichen motives.
Well, there are still synonymous motion keyframes ... depending on the movement more or less expensive ;-)
Antwort von Axel:
I'm not synonymous Final Cut / After Effects expert. But I think that there is no paktisch "moving format with Alpha there. Yet. The animation codec. A propos practical: It has long None responded, because it is simply impractical, compositing in Final Cut Pro to do if you are already owns AAE ....
Antwort von Syrtah:
Thanks for the tip with the animation codec. But would leave the question of expanding the channels again.
Have a clip with a moving sunglasses (round glasses) and a clip of exactly fit into these glasses. Only I did not create, the two clips so übereinanderzulegen or channels so that the content glasses (from a clip) and that which is outside of the glasses (another clip), is displayed. Either there will be only the first appears (with black glasses content) or only the second.
synonymous hab a mask the entire film on the glasses "pursued" (hence the history of keyframe next above), but I get the clip with the content in the glasses inside ...
Bin for relief without variants AE grateful ;-)
Lg, Syrtah
Antwort von Axel:
You have a clip of the contents of the glasses containing from AAE with transparency (RGB = black) drumrum? Then the leg but on the other clip, the "trappings". I am not afraid, but already with a> composite mode (right mouse button, select) the thing is done. With security mode with the
luma mask-punching, and
dark areas to
cover (or similar) and
Tolerance: None. Understand the problem. Should the parties keyframe moderately in the spectacle frame einskaliert be? Then do this with Motion:
Behavior: Tracking: movement (hinges of s.den ironing, for example)
to analyze, then click the reflection clip:
Behavior: Tracking: Match Move, Source: "analyze motion". Including position, rotation and scaling.
Antwort von Syrtah:
Thank you!
AAE did not, but Final Cut Pro and Photoshop. The clip with the content has nothing außenrum clear, but only in black (was a mask with the two cut-out glasses, behind another film I had to run. It was not until the rendering außenrum black, but was already a mask so.
Anyway, I then try to look at the story with the punch-luma mask. I did not, thank you for the tip!
Lg, Syrtah
Antwort von TiMovie:
1.
. mov in AE with alpha export (export setting animation codec-highest-skilled - the highest color)
2.
in Final Cut Pro to "modify" "alpha-type" direct recruit
it should funzen!
Antwort von Axel:
Since you're already as far as doing it as timovie writes. Next time: To work with animated masks and composite modes (; and such stuff) motion is faster and easier than AAE.
If you, since you do not have AAE, no output in the animation codec get more, take hold instead of Alpha Luma.
Antwort von Syrtah:
Thank you for the help ;-)
