Infoseite // Color Correction / Color Grading - how do you sort out?



Frage von larrylobster:


Hello

I am a newbie here and apologize in advance for this occurring to any overlap in the forum. Furthermore, I would by no means a new look-film discussion from the fence break, it's me about this specific example:

http://www.isenseven.de/blox/index.php?page=article&article=00004

I wanted to ask if anyone of you knows how to (synonymous only partially) such a result (from the aspect of grading-wise) of the material is reached, which was originally of HDV cameras (SonyZ1 etc.) and DVCProHD cameras (Panasonic HVX200) was? How do you reach such a contrast range and such a "soft focus"? High saturation and everything progressive rauslassen alone sowas ja nicht ... And budget for DaVinci had not, that I know from a safe source ;-)

Thanks for your help!
LarryLobster

Space


Antwort von B.Katz:

Hi!
Ne Ex1 must somehow synonymous with one.

Make a lot of faith with the Magic Bullet and the Black / White Diffusion
so that these areas be softer appearance

Space


Antwort von Axel:

In relation to the 8-bit material you should be the "way off" aspect in this Weißabgleich >gute Belichtung, die dem eingeschränkten Dynamikumfang of Video Rechnung trägt. Ein gutes Beispiel ist der Schnee in dem Video . Sein Weiß besteht aus RGB, aber für gewöhnlich alles bis zum Anschlag. Zeichnung (;Flocken!) in Schnee einzufangen, ist schonmal eine Herausforderung. Und die Voraussetzung dafür, ihm eine erfrischende Mint-shading to give, as here. With typical Clipped Video Snow would be an ugly color. As the white RGB as I said fairly evenly represented, would require a shift of the RGB balance not only the snow sounds, synonymous but the faces of the athletes. Fundamental to a successful Colorgrading is to provide the luma / Chromabereich (; brightness and color of skin) when handling carefully to avoid. This allows many applications, not only DaVinci, but not stop all users, especially if they have a look with one-click Effect want. The practical idea of how you only with parts of luma-chroma change is being made, through the easy-to-find "Sin City" tutorials very encouraged.

The desire for the HDR look is the only way to meet that you are in the Studio with "LDR" immediately. ND, ND-degree, manual exposure,
possibly to brighten dark areas. If something is there, it can be creative with gradation change. Is not it "thing", then not.

Too "soft focus" is usually on the edge width of blur applied Chromawerten meant, as he as synonymous in the simple color correction of many NLEs can be found. Like all the blur that is synonymous compute-intensive. Some cameras, such as the XH A1 have him under the name "skin detail" built, a sort Faltenglätter. At a large range of colors applied to see the pictures often look like super sharp SW, which is subsequently has grossly colored.


Space


Antwort von larrylobster:

Axel, B. Katz,

Thank you for your comments! I will be times to address it. Interestingly, I think especially with the setting the "skin detail" of the A1, so I will play around times.

Many greetings!

Space


Antwort von Axel:

"larrylobster" wrote: Interestingly, I think especially with the setting the "skin detail" of the A1, so I will play around times.

Much has not. If only a kind of digital makeup. Mach prefer color s.Calculator.

Space





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