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[10:32 thu,13.July 2017   by ]    

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Working with actors and protagonists in front of the camera holds many fall knits ready. How do you get the best performance from your actors in the scenic area? Which instructions make sense in the rather documentary area? Jim Jarmusch, David Cronenberg and Brandon Li give illuminating insights The first word has old master David Cronenberg. Characteristic of his concept of acting is first to recognize that the director may help. You have to allow people to help you. Good acting can then be a found object. The quintessence here seems to be loud: less can be many more. Whoever sticks his actor to the too short leash, and sticks too much to his own ideas, can destroy inspired acting. However, this also requires active andIntelligent acting ahead. How closely or far-reaching decisions are implemented also depends on the preparation. The more intensely the characters have been discussed with the actors, the more autonomously they can be implemented: VY = U2PcdO7Da8k Jim Jarmusch also seems to go in the same direction, who relies heavily on improvisation on site without rehearsals, unless scenes are spontaneous added. Many funny insights here - great the story with Robert Mitchum and the failure to try to convert two text lines: VY = GQhc8YebgbM Finally, even more powerful practical hints from the Bradon Li, whom we have estimated, who gives here information about the leadership of protagonists, the rather In the documentary or non-professional acting context



deutsche Version dieser Seite: 3 Videotutorials: Protagonisten u. Schauspieler vor der Kamera - wie führen?

    

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deutsche Version dieser Seite: 3 Videotutorials: Protagonisten u. Schauspieler vor der Kamera - wie führen?



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