Frage von ftiliws:
Moin, 
 after I am quite fast for the HV30 had decided I was looking for a suitable external microphone to connect s.die Cam 
 Recording situations, like the example of video - here is the sound simply by Micro a Panasonic NV GS 250 recorded 
 http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=9319533 
 I do not have the opportunity to talk to the mixer to dock, no microphones in the room, but only on the Cam with accessory shoe place 
 HELP;)
 Antwort von  joerg-emil:

... wow, what a Getummel video on your example, the question of a tripod, I trust not to make .... under your shooting conditions described kannste forgotten because there is no other helps synonymous / Micro better ... the most important is the music and the warrior with his camera on the Micro saumäßig only poorly captured .... 
 ... what I said at the noise level would make would be two dynamic mics left and right before the boxes to hang. To get the music and the good mood will be greatly weakened Umgebungsgräusche ... 
 ... even better would be if you s.mixer the Lord could record the sound. Could be then in the edit with your live sound from the built-Micro mix. That would be the easiest, cheapest and best way ... 
 Gruß Jörg-Emil
 Antwort von  ftiliws:

stativ brings nothing really, just a quiet arm n half! 
 unfortunately, includes the 
 I do not have the opportunity to talk to the mixer to dock, no microphones in the room, but only on the Cam with accessory shoe place 
 that 
 ... what I said at the noise level would make would be two dynamic mics left and right before the boxes to hang. To get the music and the good mood will be greatly weakened Umgebungsgräusche ... 
 ... even better would be if you s.mixer the Lord could record the sound. Could be then in the edit with your live sound from the built-Micro mix. That would be the easiest, cheapest and best way ...  out. it's only what, what is on the cam!
 Antwort von  joerg-emil:

.... grins, it's clear to me that my suggestions with your requirements bite, but I wanted you to realize that you are synonymous with a 1000  ¬ in your Micro-Cam would achieve little more than you've already achieved, .. .. need a schepperndes unbearable roar ....
 Antwort von  ftiliws:
 .... grins, it's clear to me that my suggestions with your requirements bite, but I wanted you to realize that you are synonymous with a 1000  ¬ in your Micro-Cam would achieve little more than you've already achieved, .. .. need a schepperndes unbearable roar ....
 .... grins, it's clear to me that my suggestions with your requirements bite, but I wanted you to realize that you are synonymous with a 1000  ¬ in your Micro-Cam would achieve little more than you've already achieved, .. .. need a schepperndes unbearable roar ....  But what kind of microphone because I could take, sort of kidney or indicative or what I know (I know because times do not). I always get really s.Bühnenrand / on the stage - not the typical rear s.mixer ne Camera on Tripod's place
 Antwort von  cutty:

I have in a quintet concert Nockalm good success with 2 dyn mics in front of the boxes made. However filmed with 2 cams and pans to the audience at the Cam-Mics to mix. The Mics of the original JVC GY-HD 200 I by Behringer C2 replaced. Fit perfectly on the Cam .-
 Antwort von  joerg-emil:

Basically, most camera microphones a directional effect to the front, ie cardioid / super-cardioid. And precisely here is you another problem. If you with your move in different directions and films, for example, once the stage directly to the boxes and then back towards the audience, you have next to the already poor sound synonymous yet clear sound changes with every swing. 
 Most microphones have built-in camera because of its design only a rather poor directivity, but what your project is more beneficial. In this respect, it would not surprise me if you are with the built-Microphone "better" results than with a good directional microphone.
 Antwort von  KrischanDO:

Hi, 
 Zoom H2 buy (199. -), and the decoction mixed man, the thing s.den output of the mixer to hang. Or somehow the zoom in the central axis with a little space before the stage hang. To distress with "Terostat IX" or "Bostik" plasticine s.die ceiling board. Or with a Manfrotto Superclamp s.ein lighting rig. Cheap solution: gluing from the DIY and tape. Or simply with Gaffa tape from Lichtrig let down. Is anything better than a Mike on the camera, with the war you just Gerappel from the closest box. 
 Regards 
 Christian
 Antwort von  TomStg:

@ ftiliws 
 Forget the thing with the Mic s.der Cam! All previous reply you say the same - for good reasons. Even if the output of the mixer is not truly optimal, it gives you no other solution. Because synonymous with an external recording device such as the zoom or with a second festpostierten Cam, whose soundtrack you instead of cutting of your mobile could take Cam, did you just bluster and Geschepper as a result. What is so difficult, so the sound you get from the mixer? I take many years and at rock concerts have sound with the mixer together with some of the Cam Saalatmo good results. 
 Gruss 
 Tom
 
 Antwort von  ftiliws:

unfortunately this is quite simple - in 80% of the cases is only through the back line played without a loss. pa is for the song because
 Antwort von  KrischanDO:
 unfortunately this is quite simple - in 80% of the cases is only through the back line played without a loss. pa is for the song because
 unfortunately this is quite simple - in 80% of the cases is only through the back line played without a loss. pa is for the song because  Okay, then I would with the Zoom H2 sample. 
 A big yes offers 30-day withdrawal, and Gaffa tape, the synonymous. 
 Regards 
 Christian