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|  The new color curves in the Lumetri panel, performance questions as well as the new noise and a (quite impressive) Hall Removal function in Premiere Pro CC 2018 are the topics of our IBC 2018 interview with Patrick Palmer from Adobe: -Bat8-M All ...more
[12:47 mon,24.September 2018 by Rob] |
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 The new version of the Loupedeck video mixer is now also interesting for video editing due to the support of Adobe Premiere Pro CC (under MacOS and Windows). The Loupedeck+ consists of a variety of mechanical rotary and slide controls as well as ...more
[12:15 sun,23.September 2018 by Thomas Richter] |
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 Cooke launches a new lens series for anamorphic photography at the IBC. The Anamorphic/i Full Frame Plus series offers a 1.8x squeeze factor and covers the image circle of a full 24x36mm sensor. Thus, an aspect ratio of 2.40:1 or 2.70:1 can be ...more
[09:27 sat,22.September 2018 by blip] |
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 The rumor mill is boiling, which is why we would like to summarize the current overall picture here: On Tuesday, Panasonic, Leica and Sigma will present a new full-frame camera system. The new L-Mount could be a practical choice for both Leica and ...more
[17:23 fri,21.September 2018 by Rudi Schmidts] |
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 Sony introduces the FE 24mm F1.4 GM, a G Master full format lens that is also interesting for filmmakers. It combines a high light intensity F1.4 with a compact design and weighs only 445 grams at 75.4 x 92.4mm. The new autofocus ultrasound motor ...more
[12:43 fri,21.September 2018 by blip] |
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 Here is our quite detailed interview about Canon XF705 with Marcel Hess from Canon Germany with the following topics: The new 10 bit codec H.265 in the MXF container, the integrated L-Zoom with linear focus-by-wire, the 5-axis image stabilization, the new shoulder rest, the dual pixel AF, availability and much more:
[10:39 fri,21.September 2018 by Rob] |
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 Zeiss presented two new models of its Supreme Primes series at IBC 2018: the Supreme Prime 65mm T1.5 and the Supreme Prime 100mm T1.5. The ZEISS Supreme Prime lenses are designed for large-format film sensor coverage and are compatible with current ...more
[09:46 fri,21.September 2018 by Thomas Richter] |
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 GoPro presents the new Actioncam Hero 7 Black with few structural changes. Filmed in 4K with 60fps (with max 78 Mbps), as with the Hero 6, the slow-motion options in 2.7K with 120fps and 1080p with 240fps remain untouched. New is a HyperSmooth image ...more
[15:51 thu,20.September 2018 by blip] |
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 The GoXtreme Axis comes up with a new feature for Actioncams, namely the first optical image stabilisation to our knowledge. According to the manufacturer, it´s even a kind of two-axis gimbal function, in which only the 160° lens (without the sensor ...more
[13:33 thu,20.September 2018 by blip] |
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 We had a look at the new handheld NX 200 camcorder at the Sony booth. In an interview with Claus Pfeifer from Sony, we clarify questions about possible application scenarios, the new codec, max. frame rates, availability and other functions: /rJU771yA11w
[08:14 thu,20.September 2018 by Rob] |
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 As a cheaper and simpler alternative to the "big" Asset Manager Silverstack, Pomfort now offers a Silverstack Offload Manager. With it, all camera data can be copied verified on the set, supporting every kind of format including RAW, photo, sound ...more
[15:05 wed,19.September 2018 by blip] |
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 Andrew Kramer of Video Copilot once again puts a lot of effort into a completely free plugin for Adobe After Effects, which can synthetically create whole planetary worlds (but also just realistically the earth). He doesn'amp;t give away the ...more
[11:26 wed,19.September 2018 by Rudi Schmidts] |
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 TV-Logic presented the F-7H, the world'amp;s brightest camera monitor to date, at IBC 2018. With a brightness of F7-H 3,600 nits it surpasses the already very bright ...more
[17:36 tue,18.September 2018 by Thomas Richter] |
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More news in the PowerShot segment: the Canon SX70 HS super zoom bridge camera also gets the DIGIC 8 processor and a 4K UHD video function after the 
