Frage von reddot:
Hello.
I have a SonyFX1 and would like a movie to make PAL 4:3. Now to me whether I record in HDV and after the capture in 4:3 PAL conversion, or whether I am equal to 4:3 PAL begin ... Would be interesting to know, where the solution quality and colors in the target format are better ..
I once heard that the FX1 PAL Recording poorly. Is that so?
Thanks for tips!
MfG reddot
Antwort von volki:
Quite Exactly, I know the FX-1, but the FX-1 and the FX-7 / V1E times are now designed for HDV and that's besides the Resolutionnativ 16:9. My V1E DVCAM still could, but that is no difference to grossr DV
My advice:
Movies in HDV (Archive the original tapes in HDV)
When it comes to the FX-1 a 4:3 frame has to fade, use it, so you're not building out the important parts have
Why
must it be 4:3?
If need be, then off, in the Camera, downkonverten. Whether it besides DV, synonymous is equal to 4:3. you have to look.
Some editing programs have the "easy" option 16:9 material on 4:3 to "trim", but that Downkonverten, of HDV to DV camera makes far more s.Besten.
Antwort von WoWu:
@ Reddot
There is no absolutely correct answer to your questions, because in addition to the camera in your software projects synonymous still in play, which contributes greatly to the quality of a Down-Conversion determined.
It is clear that the HD Lenses significantly better upper range at SD resolution, so to represent around 5 MHz, as Lenses, which are tailored for SD.
To that extent you will, no preference whether you now record HD or SD, even better pictures get a camera with an SD.
In a recording on SD, it all depends on how well the algorithms are the Camera. (Just as when using in a software).
Often it is assumed at a later Downconvertment would consist of a 4:2:0 records 4:2:2. Of course, this is rubbish. If one with the principle of color once made, will you understand.
I think you have with the question to be addressed color?
My suggestion: Make a test pass, which you used your camera and software included and look closely at the results.
Remember that interpolation never expire without losses, question is just always, it may be the better camera, or editing software.
And my experience is synonymous to the cameras can be better, especially since they are usually in
front of the data reduction to make the conversion (ie, not only when playing but also record in SD).
That you can only find out if you get the workflow runs, which is available to you.
