Infoseite // Scene transitions shape - hard cut or orifices?



Frage von schumi65:


Hello Forumianer,

I'm interested in how you in the design of the scene transitions or cuts in the video on. Do you have rules regarding the number of panels to be used and what kind of aperture you choose?
As we proceed with scene transitions, for example of a peaceful nature of the host followed screaming kids scene. Here you can really not a hard cut without reasonable transition should be, right?

I ask because I always catch it, the cuts with "cool" effects and then to connect afterwards find that it is too cluttered.

Space


Antwort von Markus:

"schumi65" wrote: Here you can really not a hard cut without reasonable transition should be, right?
Hello Jens,

just as it is. Add just a transitional one (and by that I do not Aperture) to create a peaceful scene with a turbulent scene kids to connect.

For example: du film scenes in the park quiet and come s.einen playground. Show the audience the first play in a super shot to quiet (the neighborhood) with the following activity (churning playground with children) to connect.

Space


Antwort von schumi65:

Hi Markus,

thanks for the tip. The only problem is that I forgot the film or the first scene of yesterday is just and s.nächsten days with a completely different scene s.anderen place was weitergedreht (typically for vacation pictures). What do I do then? Should I choose between the two scenes even after a mid-scene to insert, or the 1st Hide Scene gently and softly, the next scene, high fade, zwischendrinn short black.

What aperture effects as you build into your videos?

Space


Antwort von steveb:

The thread of gates should always (imho) with the actual "life / surroundings speed" in line. So much faster / more hectic, the picture changes, the shorter the shutter times, to "hard Aperture.

Space


Antwort von Stefan:

The majority of transitions in my shooting are currently reducing the amount s.Filmmaterial necessary. They use mostly hard cuts. My philosophy is based s.den viewing habits in real life. There is no way synonymous transitions, or "drop Scheunentorblenden".

Specific transitions I use when a theme or a dramatic leap Orts-/Zeitsprung (zBTag / night) occurs. Mostly I use a soft aperture, which I like s.besten. Very very rare and tend to exaggerate the image contents I aperture special effect (net / Rauszoomen, color) a.

Good luck
The thick Stefan

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Antwort von Markus:

"Stefan" wrote: ... Viewing habits in real life. There are no synonymous [...] "drop Scheunentorblenden".
... every blinking ... ;-)

Space


Antwort von Markus:

"schumi65" wrote: ... or the first scene of yesterday is just and s.nächsten days with a completely different scene s.anderen place weitergedreht was ...
If the previous section clearly different ends (eg, evening or night) than the next begins (eg, day), then you could measure the synonymous "fade" and the last scene is something else, before a hard cut after the next episode begins. Try out whether the scenes in your suit.

Otherwise, you could try synonymous to the comment by Orts-/Zeitwechsel logical adapter.

Space


Antwort von Axel:

"schumi65" wrote: .... or the 1st Hide Scene gently and softly, the next scene, high fade, zwischendrinn short black.

Meanwhile we are accustomed to mitzudenken. Dark, street: Aha, in the evening. Cut, bright sunshine, is probably s.Tag recorded.

What a transition? If the "harmonious" effect? Or, say, from evening and morning is again a new day?

Old people in the park, cut: turmoil on the playground. Fading? No, who says: If somewhere else, to another time later (before / after comparison). I would be a quiet park shots a little child crying (soft) mix, then cut hard (as in the movement into it).

Transitions are momentum killers and an equivalent to sauces Binder. As everybody knows Chinafan: With glutamate everything tastes the same. Contrasts, bright,
dark, quiet, frantic that you cut each other. It shows a concern with the impact of the cut, not whether he is hard.

Space


Antwort von PowerMac:

Axel, luckily you have just said what I really wanted to say. These formal considerations are ridiculous. It is about the film in its effect and not to individual elements s.sich.

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Antwort von schumi65:

Tja. People, I thank you ever much for your tips are helpful to me.

@ PowerMac, hab ein See, because I'm still bloody beginners, yet with much of the other eye sees and the considerations to you absolutely ridiculous. The man grows with his duties - in other words, I grow, starting with the next video editing :-)

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Antwort von Eggerl:

"schumi65" wrote: Tja. People, I thank you ever much for your tips are helpful to me.

The man grows with his duties - in other words, I grow, starting with the next video editing :-)


Hello Jens!

The last sentence, you have nice words, and I can only agree with you.

Lg
Eggerl

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Antwort von PowerMac:

Good attitude! We hope you have understood it synonymous;)

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Antwort von schumi65:

Jo, I think so.

zum Bild

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Antwort von PowerMac:

zum Bild

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