Logo

/// Volume Canon HF100

Volume Canon HF100





Question of Canon HF100:
Mai 2009

Hello movie fans!

I am in possession of a Canon HF100. When I play the movies (no preference whether directly through RCA or hard drive) is the volume in Comparison barely half as loud as for example the television program. I have quite a turn, so I have almost hear noise from the amplifier when no one is talking straight. The sound quality is still very good, just too quiet.

Now I have the opportunity when shooting manual raise the volume. If I turn up the full volume in comparison to other shooting (eg a DVD) is almost identical.

Also in the video editing program, I can raise the volume. What is quite difficult because I Uralt my computer because the results only after 15 hours and if you have anything too loud or too quiet ....

But that can not really be right? Are there any other controls or something.

Do you have the synonymous with you or my cam is broken? What am I doing wrong?


Edit:
Speak at normal volume

1 meter interval level rash


......: ../.....

1 meter distance with full manual volume

........./...: ..



Reply beiti:

Automatic audio control of the HF100 seems to act more conservatively and less nachzuregeln. I do not think that the overall sound in comparison to my previous camcorders quiet.

To make a speaker with the built camcorder micro level to 100% to bring a high level of audio control is necessary. No returns are a complete "TV-level." Built-mics are more for atmosphere and thought suitable. You can not with the ready-mixed Dialogton compare professional productions, where the O-Sound with wireless microphone, or Angel in the studio and recorded the level is optimized.

Language If you want really good record, leads synonymous in no way amateur s.externen Microphone past (and by that I do not slip-directional mic, but a microphone near the speaker s.Mund).

BTW: Even with a calculator Uralt (whatever that is) I can not imagine that you have a higher sound level in real-time preview can. Even with Premiere 4.2 on a Pentium 100 (in 1997) I spent three soundtracks were mixed in real-time intercept.


Reply B.DeKid:

This one should still note, if you want to raise the volume, you should disconnect Sound and Picture (demux) - then separately adjust the sound (loud / quiet / / etc.) - and then again at the sound of the video set - that could then synonymous via Direct Stream without making the video to recalculate / encode - should go relatively quickly (instead 15Std. I think times 15min.)

MfG
B. DeKid


Reply Canon HF100:

I use Pinnacle 12 because I have so far not a single program which had been processed and my AVCHD synonymous actually works. (Maybe because it is now something new there).
(To me the movies in AVCHD, I view the media player classic with K-lite codec - all synonymous to quiet).

The forward, or the cuts in a row go with the Pinnacle with my 2Giga singel CPU did not, as long as the file is AVCHD. Adjusting the sound as it goes well and I do not understand how the maker sets. That seems like the program and allow whim. The cutting I do with me of the so-called "single-section method" :-) is all a bit improvised.

Again relating to:
The sound is generally too soft to me. Whether atmo, etc. s.3m Speaker, I can in my room can not hear. For understandable sound do I have the television min 3 / 4 turn. That can not be normal. This set is too much and too little tinkering uniform. This makes it here None. Shooting and then the whole s.Calculator always louder tune with programs ... or maybe?

I think that because what is broken ...


Reply beiti:

"Canon HF100" wrote:
The sound is generally too soft to me. Whether atmo, etc. s.3m Speaker, I can in my room can not hear. For understandable sound do I have the television min 3 / 4 turn.
Perhaps you've simply false expectations. An integrated Steremikrofon is not made, a spokesperson at several meters distance record. (Not for nothing, there are countless posts in the forum, the company with external microphones.)

Here is an original recording from my HF100 - so leave a Comparison searched, whether your own device behaves differently. The recording was with automatic audio control is created and lautstärkemäßig unprocessed.
http://beitinger.org/downloads/test_hf100.mp3


Reply Kino:

"Canon HF100" wrote:
... The sound is generally too soft to me. Whether atmo, etc. s.3m Speaker, I can in my room can not hear. ...


The Camera has mW over a damping of the microphone gain. Check it 'times in the menu, whether it in is checked. There should be something like "ATT" and will be removed.


Reply Canon HF100:

The banger! I have the menu item actually the microphone attenuation found! Everything is now as loud as I consider it normal. The level of response is now twice as high. This attitude seems to be very noisy environment. But what if I told you the sound of manual regulate it?

Oh dear. This attitude, I have seemingly always had all the shots because I've had are too quiet.

Thanks again :-)



Canon

Canon 5D MKII measured tonal range: 10-11 f-stops
Technical Question Field Mixer Sound Devices 302 and Canon HV30
CANON XH A1 of a skateboard run over
Canon XH-A1 Microphone
Canon EOS 60D is with Full HD video, folding screen with you. Control before
New Canon Sensor: 120 megapixels in APS-H size
Canon 5D M2 + LENSES + SonyEX3?
Canon MV790: Is it worth repairing?
CANON frustration
Canon Ixus with Full HD 1000 HS presented
Canon HF200 AVCHD or with hard disk recorder. Possible?
Sonyveags does not accept the Canon EOS 550D mp4 datein the
Canon EOS 550 D clip length 11 minutes 4 GB
Canon XH-A1S questions
What 32GB card for Canon HF200??
Test: Canon EOS 550D
Canon HF S20 convert files
Final Cut Pro 7 and Canon XH A1
Canon HF200 vs. Rebel T2i
Video format at LEGRIA CANON HF 200

















more topics:
1080i
1080p
1394
16:9
24p
25p
35mm
3D
50i
720p
8mm
AFX
AVCHD
AVI
Ac3
Adapter
Adobe After Effects
Adobe Encore DVD
Adobe Premiere Elements
Adobe Premiere Pro
After effects
Ahead Nero
Apple
Apple DVD Studio Pro
Apple Final Cut Pro
Apple iMovie
Audio
Avid
Avid Media Composer
Avid Xpress Pro
Band
Batterie
Battery
Blu-ray
Bluray
Book
CCD
CPU
Camcorder
Camera
Canon
Canon 5D
Canon EOS
Canon EOS 5D MKII
Canon HV10
Canon HV20
Canon HV30
Canon XH A1
Canon XH-A1
Canon XL H1
Canon XL1
Canopus
Canopus Edius
Canopus ProCoder
Capture
Capturing
Clip
Clips
Codecs
Compression
Computer
Converter
CyberLink PowerDirector
DSLR
DSLR Video
DV
DV-IN
DVB
DVB-S
DVB-T
DVCPRO
DVD Burner
DVD-Player
DVD-lab
Dazzle
Digibeta
Digicam
Director
DivX
Divx
Dolby
Download
EX3
Editing
Effekte
Encoder
Encoding
Export
FLV
Festivals
Field
File
Files
Film
Filmlook
Filmmaker
Filter
Final Cut
Final Cut Pro
Firewire
Flash
Footage
Formate
Formats
Forum
Frame
Frames
Freeware
FullHD
GEMA
Gain
Glidecam
H.264
HDD
HDMI
HDTV
HDV
Headphones
Hi8
IPhone
Intel
Interlace
Interview
JVC
Keying
LANC
Lens
Lenses
Light
Lighting
Linux
Liquid
Lowlight
Lumix
MAGIX video deLuxe
MP4
MPEG
MPEG-2
MPEG-4
Mac
Matrox
Maxon CINEMA 4D
Media Player
Medion
Mic
Microphone
Microsoft Movie Maker
MiniDV
Mixer
Monitor
Mov
Movie
Mp3
Mpeg2
Mpeg4
NTSC
News
Nikon
Notebook
P2
PAL
PC
Panasonic
Panasonic AG-HVX200
Photoshop
Pinnacle
Pinnacle Studio
Pixel
Player
Plugins
Premiere
Projector
Quicktime
RAID
Recorder
Red
Remote Control
Resolution
Review
S-Video
SAT
SDI
SVCD
Samsung
Sanyo
Scart
Script
Sennheiser
Shake
Shoot
Shooting
Slideshow
Sony
Sony Vegas Movie Studio
Sony Vegas Video
Sony XDCAM PMW EX1
Sound
Soundtrack
Spot
Steadicams
Still
Still Image
Streaming
TMPGEnc
TV
Tape
Test
Tips
Ton
Track
Tripod
Tutorial
Tutorials
USB
Ulead MediaStudio
Ulead VideoStudio
Update
VCD/DVD
VCR
VCRs
VGA
VHS
Vegas
Video Editing
Video8
Virtual Dub
VirtualDub
Vista
White balance
Windows
Windows Media
Windows media
Wmv
XDCAM
XL1S
Xacti
Xlr
Xvid
YouTube

Sonstige

Featuresschraeg
slashCAM
slashCAM
News
HD Camcorder database
One-on-One Cam comparison
About our tests
About us
ClipKanalschraeg

Aktuelles Video:
Oktapodi


update am 2.September 2010 - 16:15
slashCAM ist ein Projekt der channelunit GmbH
*Datenschutzhinweis*