Infoseite // XH A1 - XLR - Audio Recording



Frage von Supe:


Hello,

Unfortunately, I explained the extensive manual is not quite plausible, as I use a XLR audio recording s.besten start.

There are these are XLR Kanaäle (CH1 and CH2) are available. I have two simple Monacor Microphones (DM-700) with XLR-3-pin Male and would like this, together with the Cam now for the recording of a theatrical performance advantage. These do not own power amplification with.

I Close Micro s.einen the XLR connections on, I get - after changing the menu on XLR - a signal is displayed. Line / Mic stands on MIC. XLR Attn. is to off for both channels, channel Schlat stands on CH1/CH2. Phnatomspeisung for all Chanäle off on everything correct?

The display on tape and everything is recorded and the level meter shows all. Question: Is it even stereo? It sounds as if any. I thought everyone XLR channel had always been mono. Can I have another Micro same variety (CH2) and then connect both right and left of the stage post to a stereo-Effect stations (for example, of going right to left on the stage) or to a better Tonergebnis to get? How would you do it? mixer is not usable.

And the Camera is back in the auditorium, but the microphone to the front s.die stage (approx. 25 m). Good XLR cables I have. Now in the instructions, you should not be longer than 3 m cable to use. Now I have to but the 25 m bridge. Is this yet? If yes, what is to be observed?

And in front of the stage microphones, or depend on the stage? Stands have no noise decoupling. Hanging Micro synonymous possibly draw the curtain pulling the (manual) or 50 Hz hum with the headlights on, right?

Thanks for your help in advance!
Supe

Space


Antwort von Erich:

Hello!
Perhaps this Page something scientific, but incredibly well-founded.
http://www.sengpielaudio.com/index.htm
The document "stereo recording systems with two microphones," explains the basics of stereo recording technique: http://www.sengpielaudio.com/Stereofonie-AufnahmesystemeMitZweiMiks.pdf

Why the cable length is limited to 3m knows I do not synonymous. I would just try out whether the sound is affected.

Generally, the microphone is an art. Term just once in a search engine. Do not be confused. The best course to gain experience.

Greetings!
Erich

Space


Antwort von Supe:

Hi Erich!

I'm not so much about the basic theor. Nevertheless, thanks for the Page and Information.

My above-mentioned issues are so but not yet answered.

Supe

Space


Antwort von Axel:

"Supe" wrote: Can I have another Micro same variety (CH2) and then connect both right and left of the stage post to a stereo-Effect stations (for example, of going right to left on the stage) or to a better Tonergebnis to get? How would you do it?

It is not true stereo, but who cares about? I would still have only a mono recording, basic next below.

"Supe" wrote: And the Camera is back in the auditorium, but the microphone to the front s.die stage (approx. 25 m). Good XLR cables I have. Now in the instructions, you should not be longer than 3 m cable to use. Now I have to but the 25 m bridge. Is this yet? If yes, what is to be observed?

25 m are XLR with no problem. The room acoustics for a theater performance you will not actually have, you usually want the voices of the actors clearly and hear clearly. I would be the sound of a second man to fish, the front with a good directional microphone sits, he headed directly to the sound source (the mouth) is. Unfortunately this man has no control over the level that you have to take s.der Camera. Are two far apart are often cast in fast exchange, Tonangler better would be two, one for the left, the other for the right. Not because stereo.

A second or third camera would also be better because a play should be synonymous in settings dissolve, otherwise you have either a daunting shot or - worse - zooms and pans, that one is bad. With multi-camera editing (eg viewer shows all views as split screen, the actual cut is only the choice of camera and a little trimming) would be no problem.

Are there any other camera, I would just once piece of the shot and then - at least - for a second time to include other perspectives, but of course, always synonymous with the sound must be incorporated.

Optimal would be more cameras, the whole piece from several perspectives continuously recording (non-stop in between), and an experienced Tonmann with Headphones and level control next front.

Space


Antwort von Supe:

Axel Hi @ all!

Thanks for the tips and answers!

I'm trying something with the two XLR microphone s.je a stage edge.

I myself need to play and have only a "tape changer" s.der Camera. Mirko holder, I have not synonymous, nor multiple cameras. Will hold a fairly static Recording, purely documentary. Otherwise I would prefer to synonymous, but not.

I am grateful for the help!
Supe

Space


Antwort von Supe:

For the sake of completeness I will briefly mention that I am but for hanging Mikros decision. I saw them just before the curtain of the ceiling dangle leave.

The sound stage is certainly the best with what I've done so far unattendet. The sound is crystal clear, without noise, the volume peaks and (auto) adjusted. One can agree with every word - synonymous the whispered - well understood.

Supe

Space



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