.footer { } Logo Logo
directory schraeg
Knowledge
Hardware
Software
DV-Movies
HowTo
Misc
A DV(L)-FAQ [e]

DVL-Digest 553 - Postings:
Index


'That' Panasonic booklet
1394-dv verses MPEG2-DVD
Importing/ Exporting DV / PAL
Problems with playback of tape
VX-2000 vs PD150


'That' Panasonic booklet - Adam Wilt nospam-adamwilt@flash.net


> ...Here I refer back to the EBU report, which I believe Adam has a link
> to on his site(www.adamwilt.com). In some areas the DVCPRO did better
> and in others the BetaSX did better.
Unfortunately I did not post the BetaSX results on my site, only the DV-format
related results. The entire PDF of the EBU report may be downloaded at
http://www.smpte.org/engr/ebumeet1.html or at
http://www.ebu.ch/pmc_es_tf.html.
Cheers,
Adam Wilt
a DV FAQ: http://www.adamwilt.com/DV.html



1394-dv verses MPEG2-DVD - "Perry"

Dave Haynie:
>Other than storage economy, there's little advantage to recording in
MPEG. If storage technology advances as fast as it has, this will
continue to be true with HDTV. If it doesn't (especially in the camera
itself), we might rely on MPEG-2 or some successor by the time HD-cams
hit the mark that typically signals their entry into the mainstream.
Other than storage economy, there's little advantage to recording in ANY
compressed format. Compression can only degrade the picture and introduce
extra processing and delays.
There are good reasons to suppose that practical disk storage in a camera
will demand some storage economy for quite some time yet. MPEG2 offers
extra efficiency so that a better picture quality than DV can be recorded
with the same data rate (MPEG2 422@ML), or alternatively a similar quality
picture can be recorded with a lower data rate(MPEG2 MP@ML). MPEG2 demands
more processing in the edit station to offer the same choices as DV and
these levels of processing are not currently available in the common NLE
applications.
I would put the situation as very similar to that of Petrol and Diesel cars.
As we say in UK, you pays your money and you takes your choice!
Perry Mitchell
Video Facilities
http://
www.perrybits.co.uk/



Importing/ Exporting DV / PAL - Adam Wilt nospam-adamwilt@flash.net


> When I digitise from the VHS video recorder to the camera, will I then
> convert from 768 x 576 (4:3) Pal to 720 x 576 (5:4) DV Pal ?
>
> Will the material then look distorted when I play back from the camera ?
> does anyone know why PAL DV ratio is 5:4 (720*576)
> where as most PAL TV's and projectors are 4:3?
> Don't we lose this way part of the image?
The 768x576 ratio assumes square pixels. PAL DV (and any other PAL 601-based
digital format) uses non-square pixels that are slightly wider than they are
tall. Thus the picture made with 720x576 601-shaped pixels *will* be an
undistorted 4:3 astec ratio.
However, if you export a still image on your computer (and in many NLEs, just
look at the video clip on the computer's screen) using the computer's square
pixels, it will look a bit taller than it should for the width. Use Photoshop
or another image processing application to resize the image to 768x576,
720x540, or similar 4:3 ratio for display using square pixels.
Cheers,
Adam Wilt
a DV FAQ: http://www.adamwilt.com/DV.html



Problems with playback of tape - Adam Wilt nospam-adamwilt@flash.net


In amongst all the theorizing, all I can say is that I have never had a
problem playing back Canon XL1 or GL1 tapes on either the Sony VX1000
camcorder or DHR-1000 VTR. I have even been able to play back Canon tapes
that, for some still unknown reason, would not play back properly on the Canon
XL1 that recorded them, a JVC GR-DV1u, or an AJ-D650 DVCPRO VTR.
Cheers,
Adam Wilt
a DV FAQ: http://www.adamwilt.com/DV.html



VX-2000 vs PD150 - "Perry"

Bill posted:
>And that makes me shudder because I almost violated my
own rule: Never buy video or computer stuff when it
first comes out. I almost did it because I figured the
VX2000/PD150 really wasn't new, just upgraded. Wrong,
apparently.
I would go so far as to suspect that there wasn't a single common component
between the VX1000 and VX2000, with only a fairly similar 'look' and
features spec. to link them together. It has a new lens, new CCD chips, new
processing and a completely different transport assembly.
The VX2000 is a brand new camera with a brand new level of performance that
leaves some areas of the VX1000 floundering. It is built to a lower price
than was the VX1000 which leaves one or two corners cut, and it has the
infamous 'noisy' manual audio, but there is no doubt it is a very good buy.
If you can afford to wait for the audio fix then it might be worthwhile, but
it won't be a real problem for most folk.
The PD150 sells for a relatively modest premium that for those that want
balanced audio is probably enough to justify the difference on its own. The
real factor should be whether you want to record DVCam format tapes.
Perry Mitchell
Video Facilities
http://
www.perrybits.co.uk/




(diese posts stammen von der DV-L Mailingliste - THX to Adam Wilt and Perry Mitchell :-)


Match term in Search Index:


[up]



last update : 21.Februar 2024 - 18:02 - slashCAM is a project by channelunit GmbH- mail : slashcam@--antispam:7465--slashcam.de - deutsche Version