.footer { } Logo Logo
directory schraeg
Knowledge
Hardware
Software
DV-Movies
HowTo
Misc
A DV(L)-FAQ [e]

DVL-Digest 561 - Postings:
Index


AC outlets
Intro websites (was: Introduct
Preview Monitors
Time runs short...
timecode transfer from BigiBet


AC outlets - "Perry"


Further on this topic:
I did a job last week involving my portable (12volt) pro mixer feeding my
VX-1000. Although not strictly Kosher, I go balanced to unbalanced with the
audio lead, with the ground unconnected.
The first day I had both camera and mixer powered by their respective mains
PSU bricks, and I got bad audio hum even though both were fed from the same
mains power socket (so no ground loops involved).
The next day with an identical connection in the same location, I didn't get
any hum! Very strange!
Actually none of this is news to me, I've often got hum when feeding the
camera with external sources, but I've never had such a blatant >here
today - gone tomorrow< scenario.
There are usually workarounds like running the camera on batteries, but it
would be nice to understand the mechanism causing the problem in the first
place.
Perry Mitchell
Video Facilities
http://www.perrybits.co.uk/



Intro websites (was: Introduct - Adam Wilt


I am looking for any web sites with tutorials, explanations, or
> evaluations of cameras, and software.
Plenty of links, including links to other pages of links:
http://www.adamwilt.com/DV.html#Links [disclaimer: I'm biased, grin]
Cheers,
Adam Wilt
a DV FAQ: http://www.adamwilt.com/DV.html



Preview Monitors - Adam Wilt


But what I still don't understand is, wouldn't a computer monitor be best
> for analyzing color, detail, sharpness, etc?
Only if your target display is a computer monitor. If you're aiming for TV
display, you need to use a video monitor.
Computer monitors and TVs / video monitors differ in several important areas
[note: I'll talk about "PCs" vs. "TVs" as a convenient shorthand]:
- colorimetry: colors look very different on PCs and TVs, both in terms of
white point (red vs. blue. tones) and color gamut (the range of colors
available in the phosphors).
- phosphor persistence and spot shape: the way the image is "written" onscreen
is optimised differently on PCs and TVs.
- interlaced vs. progressive scan: almost all PCs nowadays use a progressively
scanned image, usually at a higher-than-TV frame rate, and almost always at a
higher resolution.
In short, TVs have developed over 50+ years to optimise pleasing, large screen
display of interlaced, comparatively low resolution, dynamic images. Computer
displays have developed over a somewhat shorter time to optimise presentation
of high-contrast, high-resolution, finely detailed, mostly static imagery. As
a result, they show images very differently.
Thus, for better results, use a high-quality video monitor to see the platonic
ideal of what your target audience will see (somewhat less ideally) on TVs
that at their best approach the quality and rendering of your video monitor.
For best results, use a waveform monitor and vectorscope to *know* exactly
what the image is doing. You can also measure picture information on the
computer by using computer-based tools, but for *viewing* the image *as it
will be seen by your audience* use a video monitor.
Cheers,
Adam Wilt
a DV FAQ: http://www.adamwilt.com/DV.html



Time runs short... - Adam Wilt


...too much to do, so I'm dropping off the list for now. Hope to be back on in
three weeks or so, but if not, see some of you at IBC, some at DV Expo.
Cheers,
Adam Wilt
a DV FAQ: http://www.adamwilt.com/DV.html



timecode transfer from BigiBet - "Perry"


Jan de Wever posted:
>You don't need a genlocked camera to get TC out of it! Take the idea of 2
camera's running the same TC (both in 'free run' and locked by connecting a
BNC cable between their TC connections, removing it, and they will run the
same TC for ever!).<
Sorry Jan, this just isn't right! Legal TC is by definition locked to
video. Two free running (i.e. not genlocked) cameras could drift apart by
several frames in an hour, let alone 'for ever'. To guarantee that two
cameras have identical TC, you have to genlock the video together.
Of course in practice, the drift may be smaller and could well be non
significant.
Perry Mitchell
Video Facilities
http://www.perrybits.co.uk/




(diese posts stammen von der DV-L Mailingliste - THX to Adam Wilt and Perry Mitchell :-)


Match term in Search Index:


[up]



last update : 21.Februar 2024 - 18:02 - slashCAM is a project by channelunit GmbH- mail : slashcam@--antispam:7465--slashcam.de - deutsche Version