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A DV(L)-FAQ [e]

DVL-Digest 874 - Postings:
Index


Apple looking for speed?
DV Vs. 601(too much information)


Apple looking for speed? - "Perry"


1 GHz, 2GHz, who cares!! What we really want to know is how long does it
take, and the two are not necessarily related! Also irrelevant to me is
running business and game playing benchmark tests.
Why can't we have a general video benchmark, with a bunch of common cross
platform applications like Premiere and After Effects rendering; and MPEG
encoding based upon the fastest platform software. If the Apple DVD encoder
(MPEG2) can genuinely run at half real speed, or even the realistic quarter
speed reported, then it makes a G4 a real speed contender against any
Windows rival, whatever the numbers.
When I can get After Effects, Photoshop, Illustrator, a decent NLE and all
the assorted support applications to run on your Unix cousins then I may
think about the consequences. Meantime I'll put up with the odd crash and
try and use the computers to do something useful.
Perry Mitchell
Video Consultant
http://www.perrybits.co.uk



DV Vs. 601(too much information) - "Perry"


You guys seem to have covered most of the bases! Just to add that company
politics and marketing , and industry standard bodies like SMPTE/EBU/IEEE
can make the whole deal quite confusing at times!
DV and '601 are digital formats for encoding video, IEEE-1394 (aka Firewire
and iLink) and SDI are the normal means to transport them respectively. SDTI
is a collective term for sending various forms of professional compressed
video down an SDI type transport.
SDI and SDTI started life as Sony and Panasonic terms respectively, so some
confusion is probably inevitable!
Concerning quality, uncompressed '601 video consumes about 7x the data rate
of DV. The difference on typical images with the same source camera is
difficult for an untrained eye to see. The real problems with DV concern the
use of difficult computer graphic material, and the use of chroma-key which
demands an artificially high level of performance from the chroma channels.
One solution to this is to use compressed '601 such as D-9 (Digital-S) with
compromise data rates and yet full 4:2:2 mapping.
These are all intra-frame based technologies, inter-frame based compression
such as MPEG offers much higher efficiency and would seem (to me) to be an
inevitable steam roller. Only short term restrictions involving processor
power and cost of memory make it sometimes awkward to use.
Like all modern technology, you should make purchasing decisions based upon
using the equipment TODAY. If it works well today, it will work well
tomorrow and next year whatever other technology gets developed. If you want
to buy video equipment that can be guaranteed to still be competitive in say
5 years time, then you are in lottery land!
just my two penn'orth!
Perry Mitchell
Video Consultant
http://www.perrybits.co.uk




(diese posts stammen von der DV-L Mailingliste - THX to Adam Wilt and Perry Mitchell :-)


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