Coming soon will be at our large family, of course, digitally recorded. My GS400 will include all naturally beautiful progressive in 16:9, since DVDs are created later. Now a few other people have digital cameras which unfortunately is not the synonymous quality match my camera, that can hold all (4-3 record only partially synonymous only interlaced). At least in the so-called "Cinema" mode, the black bars by insertion can mimic a 16:9 format.
Now my question: How do I combine s.besten all the material? When editing software I use Adobe Premiere a 2.0.
Regards Sebastian
Antwort von beiti:
If you want to best reflect your own 16:9 images, you must create the project in 16:9. The 4:3-recordings of the other then you walk in 16:9 black to (with bars on the left and right). If the film then 4:3-TV shows, these images only to see a "window" with a black frame, but it is just the compromise. In the British stations, which are generally broadcast 16:9, but is inserted in the news sometimes 4:3, which belongs to the long agenda. Temporary use the synonymous a compromise format, where the 4:3-picture will be cropped top and bottom of something and then the left and right beams are thinner. Sowas how to implement it in Premiere, I would first try.
Incidentally, I would advise you strongly of the progressive 25p recording. You lose so that only movement in Comparison to interlaced resolution (ie get less fluid motion) and win - an objective point of view - nothing. The 25p mode has s.ehesten meaning in connection with the forum with F-word not (or if you want to leave the film on 35 mm Fazen later), but for recording a family gathering, I would be a better representation of the motion interlaced mode at any time . prefer
Really interesting, progressive scanning is only when there is time 50p devices that make up 50 frames per second.
Antwort von rush:
hi .. I would rather synonymous 16:9 interlaced variant of nv-gs 400 prefer ... dennn 'nen true progressive image makes the cam is not in fast movements and one stop some not so nice effects .. Moreover're in this' cinema / progressive-mode "synonymous even the color / contrast slightly different .... you can, I think, do better later in the post ....
the normal 4:3 material of the other cameras will look noticeably different synonymous ...
as already mentioned, the variant with the edges but odre scale which visual images information will be lost and resolution not better ...
Antwort von Markus:
Hi Sebastian,
4:3 and 16:9 in a video want to mix that means one of two formats (or synonymous for both, depending on the approach) a visible loss of quality. If the photographs do not exist yet, therefore, you ought to before the shoot with the other Hobbyfilmern on one of the two formats and turn this setting is more ".
16:9 does not automatically refer to professional! One synonymous looks at a 4:3-Picture, if the camera man knows his job or not. Make your opinion so do not firmly believe will be filmed in what format.
