how is this so when someone leaves of a place, and if he comes back?
So for example if someone leaves a man, he left behind? What is the Camera ....? And if somebody comes, he comes right into the picture of? and how is it I find something on College Movie or wikipedia or somewhere else, would be very grateful for an answer!
Liebe Grüße Thomas
Antwort von PowerMac:
I am afraid that the direction is absolutely irrelevant. The camera is good when it comes forward, say what you want. An entering or leaving an area is not particularly exciting or interesting, so it is advisable to omit. Look a few different movies and every time you write Getting in or departure of persons closely at how it has been resolved. Also rides, movements in the Picture, or even on the camera too. Thus you will come the answer to your question is much closer than through an abstract discussion here. Camera is good when it looks good.
Antwort von Blackeagle123:
Congratulations powermac ... ... that you've understood the question! Had I not ;-)
Liebe Grüße, Constantin
Antwort von UlmsSkyliner:
I do not synonymous! ^ ^
A very good tip of PowerMac
"Look a few different movies and every time you write Getting in or departure of persons closely at how it has been solved."
Review as more closely, really helps! Easy-conscious on the cut scenes and follow careful!
MfG Chris
Antwort von ussi:
ok thank you
So was just obs only meant for certain schemes if someone (for example. is very important) must go away if there is important, as will be ...
Antwort von Schleichmichel:
On that occasion I post just to "study" one-in-every respect really very good scene from Kubrick's "The Shining".
http://de.youtube.com/watch?v=iyh4oC_HZtM
For right is the beginning of much more unpleasant than for left-handers, as we (right) of the right are unprotected. Attacks of the left, you can shock with the right arm more tinkering. It thus plays a role, of where someone is, and how was staged.
In any case, the whole scene really clean work. As the Camera s.Anfang occupies a kind of subjective, runs around the corner, the man behind Jack already suspected, and then he appears as a silhouette of right. Also, the following shots (forward-backward-stairs), in combination with the lighting, the madness. Beautiful example of a very dramatic against the use of synonymous and mixed light! Does Jack look at how the heraufgehen the stairs is always red.
Antwort von Axel:
"Surreptitious Michel" wrote:
For right is the beginning of much more unpleasant than for left-handers, as we (right) of the right are unprotected. Attacks of the left, you can shock with the right arm more tinkering. It thus plays a role, of where someone is, and how was staged.
First, one should therefore be feeling confident, even the right direction for the production to find a certain feeling, such as threat, to provoke. Secondly, we thus his feeling wary, because as one would instinctively right, that of an attacker's left (to make it better able to fend off), and prefers subconsciously maybe that solution in production. Thirdly, it should, so the continuity is not falling apart, on logical connections ensured. Fourthly, one should be shit, each setting to the next in the river to hold. Ever since silent film days, a sharp cut joyful good. Again and again, painfully: Please much? / A beer, please (lit cigarette) / happy (beer is tapped) / (cigarette is inhaled) / Bitte sehr (beer is made out to) / Thank you (smoke is exhaled).
