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BELEUCHTUNG FÜR GREEN BOX

LIGHTS ON GREEN BOX



Frage von Donkisot:
Dezember 2008

Hi folks,

This is my first question. Until now I have just read.
What do you think of this Lighting for Green Box shots?





Antwort von Johannes:

Hello, I work myself s.and s.with a green screen but only 2x3 meters. But 3 of my headlamp, two of two pages for the Green Screen and another of the top or front of the person.
If not just watch the shadows emerge. Moreover, it is always on the size of the Green Screen on. As just said for a small range of 3 people.



Antwort von Donkisot:

Thank you for the quick reply. my green screen is synonymous approximately 3x2 meters in size. What are these flood light?

And what do you think of this Lighting: Studioset MALLORCA (








Antwort von Valentino:

Hm much light is not so, two times with 85W daylight bulbs and then the Diffusboxen, da biste roughly the light output of a 500-watt halogen headlights.
For a few Packshots provides enough interviews or ala, the news just like this, so I would at least four order of things.
The lamps are more synonymous for studio photography and is not intended for video.
I would like for a small studio in the Greenbox such a set of three 800 watts of ARRI Sachtler or use of it and a 4kW, two 2kW and two 1kW HMIs s.den start bring. The 4kW peak with a slightly DIFUSE so that the hair Keyen better run for the Green then of right and left with the 2kws and the 1kws DIFUSE with something to the person (s) in the foreground. Remember synonymous, it is always easy to keyen if the green is a bit overexposed by Fanner and trying as best it is an Reflextion from the green on the person to be avoided.



Antwort von Donkisot:

They are to me, quite frankly, a bit expensive. I have another option?



Antwort von thos-berlin:

It depends on dei demands.

There are people who with blue or green fluorescent tubes for the backlight and the front Baustrahlern for good results.

It is not only a question of light bulbs, but synonymous of the place. You need good results for a sufficient distance between foreground and background and must illuminate so that the background unacceptable. Ideally, the space that you have your foreground object of (straight) back with the complementary color of the background can illuminate.

There are synonymous a system in which the object behind a highly reflective background, and the optics of the camera surrounded by green or blue LEDs. The reflection is so strong that a Chromakey possible. But nothing is likely to be large areas.




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