I really thought I knew (it did the last time synonymous written somewhere in a post), but am not sure but now:
And indeed, the rule with (of a triangular at times rude to say, this golden mean lies not know exactly where the lines intersect the third ...) If I take a head that looks to the right, he must then third (in the far left), or he should be seen in two-thirds to? This golden mean, where is that? Let's say I'm filming s.Himmel Cogel one, he should rather sien above, more below on how exactly it should be s.besten in the Picture? (If the camera is moved along with dm bird ;-))
Love Greetings Constantin
Antwort von Urmelmama:
Hi, So this "golden mean" as you say, correctly called "Golden Section".
The heist in Verhätltis roughly 1 / 3 to 2 / 3
If a person of left to right moves or looks, is in line of sight / direction more room to be (2 / 3), when he himself is (1 / 3).
So not with the nose almost s.rechten screen "anhaut.
Referring to the bird that is the space in front of the bird (flight direction = 2 / 3) should be greater than behind the bird (1 / 3). As for the horizontal trajectory of poultry, it looks aesthetic, if he is just above the horizontal center. Only this will be a perfectly straight Airlines to Sch. . . to care in any case, readjust the cam then frantically ". Beautifully quiet and go along - as I said 1 / 3 to 2 / 3 in the vertical.
Greeting karl
Antwort von chrisgau:
"Blackeagle123" wrote:
If I take a head that looks to the right, he must then third (in the far left), or he should be seen in two-thirds to? This golden mean, where is that?
It is not the golden mean but the golden section. I know the rule, so (Source: Wikipedia):
At 3 / 5 comes out of the accident. I understand this so that in your example, the center of the head on one of links should be placed to the right current scale of 0 to 100 bit at 40 ... so easily from the center shifted to the left.
Thank s.alle, that's what I wanted to know. Whether this "golden section" (thanks for the improvement apropos) 10 pixels next to the right is, in effect, would be tragic not synonymous. The Drittelungsregel (* g *) but I will need in any case!
Love Greetings Constantin
Antwort von Axel:
These rules of course there actually, they should not be consciously applied, after all, we do not sit like da Vinci for months before a movie screen, but more intuitively respond to our behavior. We find the "golden section" synonymous in the works of artists who have never heard of it. A composition is simple harmonic.
Much more important seems to me to consider whether I accept unsolicited viewing habits from television to the camera work, as is indeed widespread. Personally, I find cropping with head and torso (the legs are tiring of our brain adds, added), because this is the standard-setting seems to be showing (90% of all recordings in features and television series) this image. Even if we arrive on the face and the DV-limiting Resolutionuns: Very much nicer and more informative synonymous times more likely would be a "whole" person.
Small (film-) historical digression: propaganda minister Joseph Goebbels ordered for the Nazi war reporting that the Army tank columns that move gen Eastern Europe, of links to the right to roll through the picture, because otherwise the audience might have the impression that they were on their retreat ... (no joke - for France was "natural," the opposite direction. Think about it, whether that's true, why is this so, and what that says about our viewing habits.)
The flying geese once captured in the "wrong" side of the picture with a swivel, synonymous has its charm, a charm, although risky, because the audience is confused in its expectations and is aware that this is "filmed", but still everything "right" make meaning synonymous to imitate a million times and seen pictures of producing some kitsch.
Finally, a reflection on the expectations of the cameraman / viewer in relation to the narrative method in the camera work. Godard said that the movies show "death at work." It must be understood so that hinfliessen (as opposed to life) in a film composition, camera movement and mercilessly cut to a specific result, which is then preserved for all time and gives the viewer the knowledge that the future (the next take, the next sequence) is already finished. He sits like a Train in the direction of travel through an unknown landscape, his mind is always waiting for the next church that appears s.Horizont and passes.
If we set it against the direction of travel, we surprise him with new motifs in unusual contexts! That was - I think - Cocteau's claim s.The art: "Pawn surprise me!"
