I have the Camera of Canon Ivis hfs10 (NTSC), the German would Legria HF 10 s hot. For the cut, I use Final Cut Pro 7:02
I produce Internet videos, the highest possible Resolutionim should have 1920 x 1080. A minute should be no larger than about 100MB. Actually, the videos are good but a little problem I have. Even in the sequence I have in the video every few seconds a slight almost imperceptible jerk of course what after the export is synonymous in the video. what is this?
I tried very much to my source material perfectly match with the sequence settings. Nevertheless, I always get the error message: Change sequence settings according to the clip settings?
Since I really have no idea what to try, I can still here my camera, import, export and sequence settings. Possibly. yes you will find someone of the problem.
Camera: PF30 frame rate. Unfortunately, I could still not figure out whether yours truly with 30 frames per second, or 29.97 starts with images. How can I find out? Could this be the problem?
Import: I import via the "Log and Transfer. Here is the ProRes 422 AVCHD is set.
Sequence: Resolution 1920 x 1080 Aspect Ratio 16:9 Own " Square pixel format Field Dominance without Sequence timebase 29.97 Compressor H264 Quality 75%
Exporting: With Quicktimeconvertierung Motion frame rate 29.97 Auto keyframe Arrange new Frame (activated) Quality 75% Faster encoding - one passage
I welcome all suggestions and comments for better settings.
Antwort von Jott:
Your sequence setting is nonsense.
The simple answer to your question "sequence set according to the clip settings?" is yes. Also: Creating a new sequence, reinwerfen a clip and answer the question, which Final Cut Pro makes it kindly, with yes. Then everything fits.
You have correctly converted to ProRes, so you cut, of course, synonymous in ProRes. So you do your project done, then lay a masterfile to export (with Quicktime, current settings, an independent film) that you archivierst synonymous.
Of this you do then your smaller files for the web, with Compressor or - easier to use - MPEG Streamclip.
Antwort von legria:
So you mean that I should continue under the ProRes Sequenzeinstellungung 422nd Ok that makes sense.
Should I leave for the sequence settings Compressorqualität to 100% and turn down only when you export?
Antwort von Axel:
ProRes has until 4444 of proxy together five quality levels, each of which are regarded as 100%. An intermediate stop (which is only by duplicating the Sequenzpreset and edited) comes to me not useful.
For your camera or, if you still would ProResLT ProRes (as you've got it) makes sense. You have been in the "Log and Transfer" choose so and then make your sequence in the same format. Why? Thus it fluppt (not jerky). This makes it good.
What happens if you do not, as such, the sequence ("current settings") exportierst, but the same as H.264? Finally, you can upload to YouTube or ProRes pack or on a video DVD or BD. Answer: Nothing. Do it either way or an export ProRes master. Because if you have multiple versions of the timeline, perhaps lying on the Effects etc. exportierst, exports would take longer.
Quote:
I produce Internet videos, the highest possible Resolutionim should have 1920 x 1080. A minute should be no larger than about 100MB.
If you compare a 1080p video on YouTube with a 720p video, you'll find that both have approximately the same data rates. 100MB/min would be a reasonable value for the upload, which would account for ~ 13 Mbps, YouTube does - of not to influence you - less than 3 Mbps of it (7-8 would be appropriate). 720p have at least average on YouTube yet about 2 Mbps. And, although only the amount of pixels of full HD is exactly 2.25 times. Probably the reason why 1080p does not look so convincing in the network.
Meanwhile, rates are up to broadband standard, is about 720p a good compromise. The export is simple: the export of Quicktime 720p H.264 makes as if you do not change, pretty much your min 100 MB /.
Antwort von PowerMac:
When Final Cut Pro asked whether the sequence settings s.die clip settings to be adjusted, then click on 'yes'. Problem solved.
Antwort von PowerMac:
That's not true. The bandwidth is at 720p and at 1080 (no preference whether p, or i psf) is almost equal. I have to quote me (Banfield, 2010, p. 10);)
Bandbreitenerrechnung at 720p and 1080i 960 * 1080 * 50 Hz = 51.8 1280 * 720 * 50 Hz = 46.1 megapixels / second megapixels / second
