I will soon turn a few scenes that are shown on monitors in the subway, but perhaps synonymous able to land in cinema spots.
If I take the better at 24p or 25p? Camera: EX-1
Thanks and greetings! Christian
Antwort von nohab:
You can even make two versions. So start with 25 p and editing and then make a 24 p output. With cinema tools final cut studio when this is no big deal. However, since the cinema advertising is likely to play digital is the format for the movies Relatively no preference. Or will the Spot copied on film? Love Greetings NOHAB
Antwort von KrischanDO:
Hello,
that was so fast ...
Lt. Agency is exposed for movies on 35mm, which is the raw material but rather no preference.
Since I do not even cut, but pass on the files after the rotation, I want to provide maximum technical quality.
Regards Christian
Antwort von Valentino:
"NOHAB" wrote:
However, since the cinema advertising is likely to play digital is the format for the movies Relatively no preference.
Thus, no preference is not as fitted to the DCI standard by which most cinemas are only 24 or 48 pictures of familiar. Now there can start all over alternatives to DCI server, but again nothing with the DCI Files and hence KrischanDO should now know which movies need to spot DCI compliant or not.
Since the 35mm print is a lot better because it is as good as no preference whether the material is now with 24 or 25 frames is played. It actually suffers from just the sound that is a bit is higher or lower.
@ KrischanDO I would be with 25 pictures because you are working this very simple for the subway and you can transform your monitor, because it looks at 24 pictures a bit different. I would simply report but synonymous with post-production company time.
Antwort von KrischanDO:
Hi,
Many thanks for any advice. The postpro synonymous'd prefer 25p. So: first all clear.
Warm regards Christian (; the wedding itself to the rotation this afternoon, looking forward: 30 ° C + dark suit - I love it ...)
