Logo Logo
/// 
eine satschüssel und 2oder 3 resiever

one satschüssel and 2oder 3 resiever



Frage von mythos1120:
August 2005

hello together
interresieren me if I would like to join my satschüssel of each resiver I need an extra cable or revoke I have a cable pull, and this then in the whg. distribute via distributor bar.
:-))) I am living in a 5 storey house and I am still in the ground floor synonymous synonymous, this is a financial question.
I hope you did answer one for me



Antwort von jens:

As far as I know, is the cheapest way to go out with multiple cables from the LNB. By splitting solutions to get there, I do not mean cheaper. If you do not all use the same receiver you can watch synonymous that you hold with each other, connect (LNB-out--LNB-in-usw.).
Good luck,
Jens



Antwort von GhostDog:

should have at least two of them are used simultaneously.
that is, should I take per resiver cable book.

pfff. nice work om na 5th floor to the ground floor because I rejoice, however,

Thank mythos








Antwort von jens:

Well, but if you're a cable or two publishers, but the effort is ultimately relatively no preference ...



Antwort von StefanS:

The number of bowls is not crucial, but what system you use.

To work with a bowl and several receivers, which can show all the different Programs should, there are two possibilities:

The classic:

A corresponding LNB with a junction box. From this distribution box in each case is 1 cable to exactly one receiver. This is the usual way to install a satellite in multi-plant.

The mostly unknown:

There is a system made in accordance with a special LNB and special receivers (I once saw in a catalog source!), Based on a single cable looping based solution. That means:

An LNB, then a cable of the first receiver of a cable where the next Receiver, ...

I was not very busy but with the details. You must put your views in this direction even smarter.

Greeting
Stefan



Antwort von jens:

"Stefan" wrote:

There is a system made in accordance with a special LNB and special receivers (I once saw in a catalog source!), Based on a single cable looping based solution. That means:

An LNB, then a cable of the first receiver of a cable where the next Receiver, ...


Yes, yes. As far as I'm sure you need not even related to the LNB receiver. But: I think that this is an expensive cable solution.
Unfortunately I have no source catalog ;-)




Antworten zu ähnlichen Fragen:
Insta360 One RS vs Insta360 One R für 360° Video
100 milestone films in the art and craft of cinematography of the 20th century
Extremely Wicked, Shockingly Evil and Vile - Trailer
Metadata Tool ( Panasonic G series, Nikon, Canon and Fuji) für Resolve
RED MINI-MAG - Things you only thought you knew. Inside view, and RED SSD firmware
Ronin-S Firmware Update Ronin-S: ActiveTrack 3.0 and Force Mobile
Why are TV Cameras still HUGE and expensive ?
I Made My Own Image Sensor! (And Digital Camera)
The most satisfying and useless Video on YT
Resolve Candle Benchmark tables and charts (links)
Hollywood Gaffer explains Lighting Filters and Diffusion || Julian White
RED Solitary Series - youtube Videos - Resolution und REDCODE and 8K Workflow
WEST BERLIN A CITY TO LIVE AND WORK IN 1980s
ProRes RAW support für Olympus OM-D E-M1X and OM-D E-M1 Mark III
The Life and Death of 3D
Resolve 16.3 Beta 3 and RAW 2.0 Beta 3 verfügbar
Sharp 8K Micro Four Thirds Camera – Prototype First Look and Interview
Dialogue Levels and Dynamic Range (Netflix)
Help! LUMIX S5, Ninja V and RIBBON HDMI cable...
First rumored Panasonic S1H II specs: 8k24p and built-in ND
SCIENTIFIC & TECHNICAL AWARDS 2021 der Academy of Motion Picture Arts and Science
Phantastische Animation zu Mac Millers „Colors and Shapes"
Fujifilm GFX100S and Fujifilm GFX100, get Blackmagic RAW support.
Panasonic Unveils 35MP Organic Super35 CMOS Sensor with Global Shutter and Great Dynamic Range
The 7 most extreme and bizarre lenses I've ever tested
The King’s Man shot and graded using affordable Blackmagic gear

















weitere Themen:
Spezialthemen


16:9
AI
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avid
Avid Media Composer
Cam
Camcorder
Camera
Canon
Capture
Capturing
Clip
EOS
Editing
Effect
Error
Export
File
Files
Film
Final Cut
Format
Formate
HDR
Import
JVC
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Monitor
Movie
PC
Panasonic
Pinnacle
Pinnacle Studio
Player
Premiere
RAM
RED
Recording
Red
Software
Sony
Sound
Studio
TV
Tape
Video
Videos