Hollywood'amp;s new film universes: endless repetition or chance for something new?

The theater summer is always predictable - next mass remakes (Jungle Book, The Magnificent Seven, Birth of a Nation) and sequels (Jason Bourne, Independence Day, Tarzan) is Hollywood increasingly known narrations and figures in the form of film universes which by prequels, sequels and spin-offs always give birth to more new movies such as Marvel (Captain America, Thor, Iron Man, Hulk, the Avengers antman, ...) and DCs superhero worlds (Superman, Batman, Superman vs Batman, Wonder Woman) - and of course Star Wars. Their ever-increasing notoriety is so every new movie (and each new character and story), who plays in these worlds, already a large core audience safe and given the www.slashcam.de/news/single/Hollywood- -with-ever-more remakes and sequels-to - 12323html (secure success of such films) and their merchandising products minimizes the financial risk for the movie studios. PIC: Marvel Cinematic Universe threatens the creative Clearance by this total serialization? Even Puschak (The Nerdwriter) represents a slightly different perspective in his video essay. He beats a wide arc of the successful continuation novels of the 18th century by the television series to Star Wars and provides common themes over the ages: Series satisfy the desire of the viewer / reader to always "more" - a story that never ends , What sets them apart? Big ensemble of characters who diversify further and further over time; proliferating subplots and by surprising turns in the main plot to keep viewers voltage high - and veryimportant: an audience that followed the events and feverish about it discussed (as just the start of the new season of Game of Thrones again) and the work that responds to the reactions of the audience (in the next episodes) again. VY = YgLYZPHXgXo He argues that this is also the case with the modern serial movies such as Star Wars, which react in the next sequel to audience feedback and inflict upon successful subplots and characters own films. Puschak sees this as a big chance for the audience to help determine what movies are made u200bu200bfor the next u003cbu003eStar Wars - The Forever franchiseu003c/bu003e The Backgrounds of the new idea of the film universes explains a big Wired article beautiful title http: // www. .wired.com / 2015/11 / building-the-star-wars-universe / ( "you will not last longenough to live to see the last Star Wars movie) "because if it to Disney - since 2012 owner of Lucasfilm, and thus the rights to Star Wars - is, every year a new Star Wars Film produced and also are from. Disney already 17 Marvel films for the next ten years planned. the fact is, there are so long new continuation films appear as someone wants to see these films, because they are an extremely rewarding and risk-free investment. the films from the Marvel universe played worldwide all reliably the 2- to 6-fold in their production costs (186-250 million dollars) a. Now course need professionals who devise comprehensive storylines and related films and TV series includingplanning computer games and children&s toys over many years to come and can be continued during invent new stories including plot twists with the characters already known. Each new movie must of course on the later following and the preceding point, to establish links between them and thus develop the cinematic universe. Unlike regular films, the end of a film is in the new never a classic third act, a genuine end, because history must never be completed, they will always continue in the next film. And how successful television series, the film series also organized: a showrunner watches over the consistency of various script writer, arising from the Writers Room and its many authors - and many of the directors and script writers Bilder zur Newsmeldung: deutsche Version dieser Seite: Hollywoods neue Filmuniversen: endlose Wiederholung oder Chance für etwas Neues?