[12:45 Tue,26.February 2019 by Rob] |
ARRI had already proved to be the lonely leader in the best feature film and best cinematography categories for both analogue and digital productions in our news about the films nominated for the Oscars 2019 at ;)
The Oscar winner for the best documentary film was mainly shot on Canon EOS C300. Canon had also been strong in the documentary category for the moninated ones, which were all shot on Canon cameras from 5D to C300. ;) Our congratulations to ARRI and Canon at this point. Here are the Oscar winners and the corresponding camera systems and lenses at a glance or simply: The ARRI Power List: Best Performance by an Actor in a Leading Role: Rami Malek BOHEMIAN RHAPSODY (format: analogue and digital - ARRIRAW (6.5K) (3.4K)): Arri Alexa 65 with Hasselblad Prime DNA & Prime 65-S lens Arri Alexa SXT with Cooke Speed Panchro Lens Arriflex 35 BL Best Performance by an Actor in a Supporting Role: Mahershala Ali GREEN BOOK (Format: digital - ARRIRAW (3.4K)) Arri Alexa Mini with Leica Summilux-C lenses Best Performance by an Actress in a Leading Role: Olivia Coleman THE FAVOURITE (Format: analog) Arricam LT with Panavision PVintage and Nikon Nikkor lenses Arricam ST with Panavision PVintage and Nikon Nikkor lenses Panavision Panaflex Millennium XL2, Panavision PVintage and Nikon Nikkor Lens Best Performance by an Actress in a Supporting Role: Regina King BEALE STREET (format: digital) - ARRIRAW (6.5K) Arri Alexa 65 and Hasselblad Prime DNA Achievement in Cinematography: Alfonso Cuarón ROMA (format: digital) Arri Alexa 65 and Prime 65 lenses Achievement in Costume Design: Ruth Carter BLACK PANTHER (Format: digital - ARRIRAW (3.4K)) Arri Alexa XT Plus and Panavision Primo lenses Achievement in Directing: Alfonso Cuarón ROMA (format: digital) Arri Alexa 65 and Prime 65 lenses Best Documentary Feature: Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill FREE SOLO Canon C300 Achievement in Film Editing: John Ottman BOHEMIAN RHAPSODY (format: analogue and digital - ARRIRAW (6.5K) (3.4K)) Arri Alexa 65 with Hasselblad Prime DNA & Prime 65-S lens Arri Alexa SXT with Cooke Speed Panchro Lens Arriflex 35 BL Best foreign language film of the year:: Alfonso Cuarón ROMA (format: digital) Arri Alexa 65 and Prime 65 lenses Achievement in makeup and hairstyling: Greg Cannom, Kate Biscoe and Patricia Dehaney VICE Arricam LT, Cooke Anamorphic/i, Todd-AO, Zeiss Super Speed, Angenieux HR Lenses Arricam ST, Cooke Anamorphic/i, Todd-AO, Zeiss Super Speed and Angenieux HR Lenses Arriflex 235, Cooke Anamorphic/i and Todd-AO Lenses Arriflex 416, Zeiss Ultra 16 Lenses Arriflex 435, Cooke Anamorphic/i, Todd-AO, Zeiss Super Speed and Angenieux HR Lenses Bolex camera Achievement in music written for motion pictures: Ludwig Göransson BLACK PANTHER (Format: digital - ARRIRAW (3.4K)) Arri Alexa XT Plus and Panavision Primo lenses Achievement in music written for motion pictures (Original song) Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt "Shallow" from A STAR IS BORN Arri Alexa Mini, Cooke Anamorphic/i SF Camtec Vintage Series, Kowa Cine Prominar, and Angenieux Optimo Anamorphic 30-72 & 56-152 Lenses Best motion picture of the year: Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers GREEN BOOK (Format: digital - ARRIRAW (3.4K)) Arri Alexa Mini with Leica Summilux-C lenses Achievement in production design: Hannah Beachler BLACK PANTHER (Format: digital - ARRIRAW (3.4K)) Arri Alexa XT Plus and Panavision Primo lenses  more infos at bei oscar.go.comdeutsche Version dieser Seite: Oscars 2019 - die Kameras der Gewinner-Filme: Fast alle (!) auf ARRI gedreht (bis auf 1 Ausnahme: Canon EOS) |
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