Color for filmmakers and film Farbmosaike

The example of Ridley Scott's "Black Hawk Down" explains Isaac Botkin, author of "Outside Hollywood," as color in films to be used to plot locations and emotional states visually characterize - the corresponding visual conventions, and Hollywood has established itself as any film can define their own Farbassoziationen. To the color of entire films clearly show he is a very nice tool called Cinema Redux, which sampled from every second individual frames of a movie a large, composite image, where you just the wonderful color changes of scenes and their distribution across the film can see. Example Poster (each line = one minute) of some famous movies like "Black Hawk Down," "Taxi Driver" and many more can be found at the Cinema Redux site and more web.mac.com/mattmerk/Matthew_Merkovich/Photos / Pages / Film_Mosaics.html (here).  more infos at bei www.outside-hollywood.com deutsche Version dieser Seite: Farbtheorie für Filmemacher und Film-Farbmosaike

Film-Farbmosaik für Black Hawk Down

Farbgstimmungen in Black Hawk Down