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"Film Look"



Frage von fabi-69:
April 2009

Hello,

I fall in recent times more and more to that picture in the film is substantially different from the real picture, and although by her hue.
I look like on the DVD making-of sequences s.and have just noticed that these videos (usually with a small DV cam rotated) Farton a different color or how the final film image. Does the fact that the cameras have certain preferences or is the color corrected afterwards ...?
I hope you have understood what I mean.

fabi-69



Antwort von Jake the rake:

trying times, the board search and you'll see: You're not alone;)



Antwort von B.DeKid:

http://forum.slashcam.de/der-grading-thread-fur-alle-zum-mitarbeiten-and-diskutieren-vt68114.html?highlight=colorgrading

Where in the post production done (mostly)

MfG
B. DeKid





Antwort von fabi-69:

Thank you, you gave me really very helpful ... but now I've still no idea how the whole process runs ...! Are there not some tutorial or something?

Thank you!

fabi-69



Antwort von domain:

The most important thing at the "film look" is that it is a certain distancing of the reality.
So firstly, the film images with 24p somewhat bucking and secondly, the colors are not like in reality.
The first and alienation are the best B / W shots. If it is not wanted, it comes rather quite a desaturation of the colors to the train with a simultaneous staining specifically in the shadow div Brown / Green / Cyantöne, which historically has always antique and art can all sequences of a video easily on virtually every NLE produced.



Antwort von nachtspion:

Look at the times:
http://www.redgiantsoftware.com/products/all/magic-bullet-looks/

I've been using this software may not, but am always excited when I see the resulting videos have been processed.



Antwort von eXp:

coole sache, as I will with my next film synonymous drauf come back.

with the color of me is synonymous with, inter alia struck crank 2, which was so synonymous with the cameras Kaliebe Canon XH-A1 and Canon HF10 rotated.



Antwort von Mantas:

color grading is done with every film, it seems unlikely that there is a no:)



Antwort von eXp:

this is true, have never seen a film in urlaub video-seen look.



Antwort von fabi-69:

... Thank you all gave me really helped. Now I would have only one question:
If you sometimes find the Making of videos watch, then we see this as the director usually with a kind of telescope or something around. I think this thing is used, an image to simulate, but how is it ...?
In advance thank you ever ..

fabi-69



Antwort von Bernd E.:

"fabi-69" wrote:
... Director ... with a kind of telescope ... how is it ...?...

"Director's Viewfinder" - more Ushi:
http://forum.slashcam.de/hab-mal-ne-frage-geht-um-ein-gerat-welches-stanley-kubrick-oft-verwendet-vt44821.html



Antwort von mon3:

"eXp" wrote:

with the color of me is synonymous with, inter alia struck crank 2, which was so synonymous with the cameras Kaliebe Canon XH-A1 and Canon HF10 rotated.


please what?



Antwort von Commanderjanke:

Crank 2 was recorded on video rotated using the Canon XH-A1 and the HF10 rotated!
zum Bild

zum Bild

zum Bild

Quelle: http://www.freshdv.com/2008/07/crank2-shot-with-canon-xha1.html

Crank was in Shutterspeed with high contrast and extreme working conditions, it is video you can see only a relatively small depth s.der blur the part you already know the trailer was.

Even Michael Mann turns back to HDV and not even tried the video look to hide!




Antwort von RickyMartini:

The 24 frames per second so stir only synonymous, therefore, that the human eye s.dieser picture frames as a continuous rate - ie liquid - interpreted. Since footage is very expensive and the opening times are very short, the 24 images synonymous maintained.

In today's digital era of HD movies would be feasible even with 60p - great fast hard disks make it possible.



Antwort von Chezus:

"The film look (24p, a lot of deep unschärfe) many want to achieve, it will be in 10 years no longer exist"

I think that nonsense. In 10 years it is still unlikely to give Cams with small chips, which you may look the video is trying to achieve. But what is not to say that DoF therefore becomes extinct. How will you be?



Antwort von Axel:

"Commanderjanke" wrote:
... Crank was in Shutterspeed with high contrast and extreme working conditions, it is video you can see only a relatively small depth s.der blur the part you already know the trailer was.


"only" because you do not recognize. It all looks very sick after XH A1 video, the film fits well for other subjects less.

"Commanderjanke" wrote:
The film look (24p, a lot of deep unschärfe) many want to achieve, it will be in 10 years no longer exist!


With 24p, you will be right, the digital movie is of the current standards are no longer handicapped. Each film can be the frequency, which fits. DoF is on the other hand, tend more and more used. Reason: See Crank. An aesthetic that conveys the feeling, with an amphetamine poisoning and actually already dead rumzulaufen. This is really not desirable.



Antwort von Chezus:

I think that rather than primarily with higher frame rates up but with 24 or 25p is shown.

I think the simple movements at 50p and easy-to-liquid and to unesthetisch. I like them.

With 50p to work but fun!



Antwort von DWUA:

The constant question of the film look nervt!
What will it wanted?
Between the "Yoshiwara-look" (Metropolis), the "look-Apatschen"
(Winnetou III) or the "Coney Iceland-look" (Cloverfield)
but are worlds ...

;))




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