Infoseite // 25p cinema mode?



Frage von luki55:


Hi, one question. The 25p cinema mode, which is exactly why 25p looks at how a seemingly cinema recording? Could one explain to me? And how do I s.meiner Camera 25p on the FPS or does it only for HD camcorders?

Luki

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Antwort von Pianist:

"luki55" wrote: Hi, one question. The 25p cinema mode, which is exactly why 25p looks at how a seemingly cinema recording? Could one explain to me? And how do I s.meiner Camera 25p on the FPS or does it only for HD camcorders?
First off is the combination of the words "25P" (ie 25 frames per second instead of 50 fields) and "Cinema mode" rather than a marketing gag to understand because the 35mm projectors in movie not with 25 but with 24 frames per second work . For recording, which later on 35mm ausbelichtet be, is an example of existing 24P mode is the right choice.

But if the only images on a HD flat screen (or an HD video projector) to be displayed properly, then 25P might be the right option. But when pictures first priority on normal Röhrenfernsehern to be, I would continue to work with fields.

What is your camcorder modes supported, I know not, of course. Get a general picture does not "movie-look", only because it is held with full fields were rotated. But the choice between full-and half is one of several aspects relevant to the visual appearance thereof. Ultimately there are two completely different technical systems, the very poor are compatible with each other. This problem is not solvable, because playback devices with and without line hopping in large numbers are present and used.

Matthias

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Antwort von Axel:

Matthias is right. Only for Europe, it is immaterial whether a 35mm film with 24 or 25 frames running. First, nobody at the wrong frequency, the difference is true (too often proved contrary statements belong to the realm of legends) and secondly, the projectors have a 25 course synonymous.
In American forums, we Europeans regularly to our 25p envy. Because 29,97:23,976 (or vice versa) once divided now not as clean as 25:25. The aesthetic difference in terms of film-look between 24 and 25 B / s is - once again - Kokolores.
"Luki55" wrote: And how do I set the FPS s.meiner Camera on 25p?
If there is no button / menu item there, you can do with the camera only take half. On tube devices 50i fit any better (see Matthias), in plasma with is different, but mostly very good quality full calculated.
There is one case where you have in any case frames should be calculated (= deinterlace). If the film is on a calculator to run (Webfilm etc.).

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Antwort von Pianist:

"Axel" wrote: Only for Europe, it is immaterial whether a 35mm film with 24 or 25 frames running. First, nobody at the wrong frequency, the difference is true (too often proved contrary statements belong to the realm of legends) and secondly, the projectors have a 25 course synonymous.
True, but I always go out of the case that someone does not first work as a stand-alone feature film will make, but for example, a movie commercial for the local economy, then ausbelichtet, copied and with all the other spots will be together. Since then, it would be very nice to the correct frequency to use if you have the option. But it would be different is not that people see the films sampled on television so synonymous faster. Four percent difference is not so much.

Matthias

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Antwort von luki55:

Danke schon mal for the answers. I have a Canon XM1 and the recordings on the Internet should be. Mov format available. So it should not strip in the picture, what do I have to select the frames, or how? lg

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Antwort von Axel:

"luki55" wrote: Danke schon mal for the answers. I have a Canon XM1 and the recordings on the Internet should be. Mov format available. So it should not strip in the picture, what do I have to select the frames, or how? lg

Either halbierst you exactly the size of the output (= every other row is removed) or you can use a filter, which depending on the program states otherwise (deinterlacer, Skip cancel, etc.).

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Antwort von Peter06:

kinofilme be rotated with 24p, that's true already. kino s.im they are with 48p (each forming 2x) are shown. it looks smooth from then synonymous.
25p is just 25p. if these synonymous 2x per frame which would have been (False) 50p. if the camera supports both types of both simple s.zielmedium (plasma, tv, etc.) view and then decide.

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Antwort von PowerMac:

Blabla. Once again cinema look. This was under perception physiological aspects so often durchgekaut. 25p cinema look unequal unequally Movies.

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Antwort von Valentino:

"Peter06" wrote: kinofilme be rotated with 24p, that's true already. kino s.im they are with 48p (each forming 2x) are shown. it looks smooth from then synonymous.
25p is just 25p. if these synonymous 2x per frame which would have been (False) 50p. if the camera supports both types of both simple s.zielmedium (plasma, tv, etc.) view and then decide.

So movies are originally recorded in 24p, but as I have often heard the films, but from time and cost reasons, with 25 frames / second abgespield. That you can hear but rarely and we must have a good ear for music, that because something is not right.
Binn Because I quite happy that in a DLP projection sowas is not possible. But probably it will be sometime in the movies movies in a FSK 16 and then the evening FSK18 version.

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Antwort von DWUA:

Back to you luki55:

Hi, a (possible) answer you can find here:

www.final-cut-pro.de

> Reports (scroll down)

or equal in the left column, click on MORE ...

It will give you "movie look like 1,2,3 "..." Almost in Movies", etc.

Admitted:
It is not just the latest.
But good journalistic work for everyone with Lesegedult
Should take the time.
If he is interested in your original question.

Sincerely,
DWUA

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