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After Effects Farbkorrektur

After Effects, Color correction



Frage von BastianB:
April 2010

Hello!
I work with Adobe Premiere and then import the complete cut sequence into After Effects to apply there, Effects and Color correction.
Is there a way to color correction and effects to link with the original file?
So I'm not in the timeline every time I used this clip30.avi have to search, but after effects all that is clip30.avi with the color correction was connected. This would save much time and effortlessly

I am very pleased to answer

Greeting
Basti



Antwort von Mylenium:

No. Why? Would be totally useless, to verratzen his original footage. You'll have no choice but to create the corresponding compositions and then at best the whole with dynamic link to re-import in Premiere ...

Mylenium



Antwort von BastianB:

I will not even synonymous VERRATZEN the original file, but:

> Is there a way to color correction and effects to link with the original> file?


That means I will not 10 Original files and assign sections 300 to 300 clips, but rather each of the 10 original files Assign an Effect. So do not overwrite, but subsequently drauflegen after the cut in Premiere, an individual effect.

The complete playout is then done in After Effects

Thank you





Antwort von Debonnaire:

But that makes it really makes no sense! Or is it in your work always gave way and irrevocably that any source clip always exactly in ONE production occurs and is even used in a production that only just ONE way? If not you once and for all finally and incontestably in all future time with a jagged "Yes!" can answer, then a direct link would be of post-Pro-effects with original footage to make really no sense!

What is easier in Premiere Pro: You pull you clean the freshly gecapturten, uncut original clip and throws him completely and s.Stück in a fresh sequence. THIS then you submit the required synonymous-what-ever-for-color-or-effect correction in AE (ideally via Dynamic Link, so that there are not even physically rausgerenderte Temp clips!).

Now the (global) corrected sequence (with the original clip in it) then you use inside of PP as you are with the original clip would have been pure. So you have the advantage that you always synonymous sequence back to the origin can make any adjustments to s.deiner (global) Color balance or securities to, and the result is displayed immediately in the entire PP-Project.

You can, if you have the same source clip in other global (corrected) want to use manner in the Project, this easy again throw a jump sequence and an additional fresh OTHER drüberfahren corrections and then corrected this new sequence as a "clip" continue, etc.

Everything else is botched and bad practice!

Savvy?!



Antwort von BastianB:

Somehow you do not read what I write. I am a cutter and do what I say!
Of course, this makes sense!
But for that you need synonymous understand the question!

A PROJECT = A PRODUCTION.

ANOTHER EXAMPLE:
ON FILM. In this ONE ON FILM was recorded dialogue of 3 minutes. With shot and reverse shot in medium shot, close and very close to making 6 minutes times 3rd
In these 3 minutes, there is every second of a cut on one of these 6 clips. Since these 6 clips must have verschiedenefarbtemperaturen they are aligned. As the whole 3 minutes are completely rendered After Effects Cases (color correction, 3D particle effects, incidents, etc.), it makes no sense to work with dynamic link. 3 minutes need in the event 10 hours render time in Premiere nearly twice as long.
The plan would be the color correction these 6 clips, 3D particle effects, etc. to assign disorders. that would be done in 6 steps.
So far everything clear?

The reality is that we have HUNDREDS of cuts in After Effects. So one has to apply HUNDRED times s.verschiedenen Make copy + paste, although there are only 6 clips in rohmaterial.

But apparently None knows whether this stupid job with a script or trick can be eyed in AFX.

Again, it's about NOT the original material / raw material change !!!!!!!!!!!!! (Phew!)

And it's not the reason to want to work in the premiere - but it's not easy. Premiere can not 3D and therefore MUST be done in AFX.

Since I always like the Work is therefore not Murk, but an expensive project, which would give me several HOURS with a TRICK facilitate work.



Antwort von soan:

Hmmm ..... all the clips you want (ie do not submit an entire sequence in AE but each clip individually) in the Project window, select, then the appropriate color correction copy to all the selected clips and now have all the selected clips at your color correction. Is ne matter of 2 minutes ... and actually default.

Other variant: Rename the footage, it will appoint found of Premiere or AE not as offline, the new fully color-corrected footage strand as a copy as required and the re-import the footage will now copy with the desired color correction replaced.

Otherwise'll ask Andrew Kramer, who knows this .... :-)



Antwort von BastianB:

Thanks, that sounds Schonmal better;)
Although yes, then the more "blind" makes.

When I've looked up videocopilot.net! Ifs a white then What's-up-Andrew

Maybe we simplify CS5 s.morgen something.
Just as a simple function for mask rotoskoping would be useful

Thank you, Soan



Antwort von Debonnaire:

"BastianB" wrote:
Somehow you do not read what I write. I am a cutter and do what I say! (...)

And it's not the reason to want to work in Premiere (...)

So, so ... Funny when you read your entry post, which with the following statement BEGINS ...
"BastianB" wrote:
Hello! I work with Adobe Premiere (...)

... Then it is somehow not so veeery bad idea if we'll try a solution IN Premiere Pro to give, not? - But only s.Rande, sir, "Cutter" to the "do what I say!"

In After Effects you throwing away the original clip in its own comp, which then pre-compose and this Precomp global color corrections, and what else do so shall be your lowest common denominator of the effect processing such a competition. Then, analog very sound explanation for my actions in Premiere Pro, with which you work out so prominently (which I to you, as an editor who knows what he says, but certainly not to say ...), Precomp need this as a new "footage "used for further processing and effects with the cut.

Better, Mr. Cutter, who knows what he says? (And you're not even OUT yet??! Oh well ...)



Antwort von Mylenium:

"BastianB" wrote:
Somehow you do not read what I write.


Yet, we read already, but you do not speak German and unfortunately I did not feel that you really know what you're doing. You try a solution to a problem to ask, which is due solely and exclusively on your own false workflow. How Débonnaire said - all the stuff on it pre-compose and correction - ferdisch. Lasts 10 seconds with me so chill. Apart from this, one can apply animation presets in AE to any number of selected clips to create - once, store, select clips in the Comp, double-click - ferdisch. And pre-rendering replace Clips and yes now synonymous not only since yesterday in AE and Premiere. Seen in this way - but, somewhere you do botch if you work for years by the method Prof. Umstandskeks.

Mylenium



Antwort von Debonnaire:

I run here sometimes ne short street talk:

When you actually "Cutter" (; and white with what they say)?

Is one "cutter" as soon as the Windows Movie Maker Aunt Gerda's 73rd Birthday surrounded by her loved ones and Fifi has zusammengeschnipselt abspielfertig, or need's more about that? And if the latter is true, it then develops during this multi-time synonymous advanced, deeper and truer knowledge and work processes, or is that, despite a long practice in the state of the Movie Maker mom-and straight-your-love-and-Fifi- movies? - If this is true the latter, then the knowledge of our adoption resistance thread is starting up would be explained at least consistent!

Has anyone here ne more views? ;-)



Antwort von Sess:

Well, I guess it's just a job title.

Although I am not my room Tapiziere Tapizierer no, or I played flute privately, I would no flutist. : P

If one makes the matter as a job and thus sets apart every day then you are entitled with "Man this is and the".


Hence it is indeed synonymous, the question: "What will you become?". As if one is still nothing ..

And I think such a cutter is also an identity professional designation.

Regards,
Sess



Antwort von Debonnaire:

"Sess" wrote:
Well, I guess it's just a job title.

Although I am not my room Tapiziere Tapizierer no, or I played flute privately, I would no flutist. : P

If one makes the matter as a job and thus sets apart every day then you are entitled with "Man this is and the".


Hence it is indeed synonymous, the question: "What will you become?". As if one is still nothing ..

And I think such a cutter is also an identity professional designation.

Regards,
Sess

* Lol * Thank you! Was really ne more rhetorical question, because if I look like our "Cutter" works and how he then called cocky, I wähne here quite a discrepancy between self-and external image. That's it!



Antwort von Axel:

"Débonnaire" wrote:
.... when I look at how our "Cutter" works and how he then called cocky, I wähne here quite a discrepancy between self-and external image. That's it!


Or artisans at all. The heating installers (German Chamber of Commerce craft with master board hourly wage, presumably as a dentist) have new heating pipes in a distance of about 15 cm of run along the wall. I asked the property management, whether this botch of someone actually has been removed. Answer: Yes, the installer said it was easy to maintain ...

The question can be synonymous with something less closely than the answer of benefits from the collective agreement. An editor or editor assigns and ordered a film from a variety of media material, which requires a conceptual inclination and talent. Word meaning "cut in" yes, nothing more, so far as administration is Cutten surface activity and development of creative and intuitive decisions and hardly craftsmanship.



Antwort von Debonnaire:

"Axel" wrote:
(...) Assigns a cutter or editor and ordered a film from a variety of media material, which requires a conceptual inclination and talent. Word meaning "cut in" yes, nothing more, so far as administration is Cutten surface activity and development of creative and intuitive decisions and hardly craftsmanship.

Smile ... I already know what an editor does and, yes, even a bin! I just think that our thread-starter this "title" is not really deserved, in his workflow. There's probably other stuff still in a bad way!



Antwort von Sess:

I now understand to be the first one the response to another thread.

"Re: After Effects Color correction"

I did not even read. For here but YOU are the thread starter?



Antwort von deti:

If you look like this:




Antwort von Blackeagle123:

Well, just like the cameraman is synonymous "Cuter" is not resistant to any professional skill requires.

Greetings!



Antwort von Debonnaire:

"Blackeagle123" wrote:
Well, just like the cameraman is synonymous "Cuter" is not resistant to any professional skill requires.

And "Cutter", DAS is a "resistant to any professional skill requires"?



Antwort von Manuell:

and journalist :-)



Antwort von Meggs:

"Débonnaire" wrote:
because if I look like our "Cutter" works and how he then called cocky, I wähne here quite a discrepancy between self-and external image. That's it!


"Débonnaire" wrote:

Smile ... I already know what an editor does and, yes, even a bin!


Oh, you speak of your own



Antwort von Debonnaire:

"Meggs wrote:
Oh, you speak of your own

GÄÄÄHHHNNN! It was now time really original, new, brilliant and so argued uuunerwartet! Hats off!



Antwort von soan:

Cutter is one, if you cut regularly against money for other people movies.

Whether anyone else to channels for business, for.

Ideally, the cutter dominated the entire production process, ie it can technically classify various formats, can eindigitalisieren material according to certain technical requirements, independently or cut to less than 90min Instructions everything short of news feature or documentary.

He knows the broad range s.Bearbeitungsmöglichkeiten and the effects his NLE makes available (ideally Avid, Final Cut, Premiere or Edius). The word "main mix" is not a foreign word for him but the conclusion of a working day, sound editing should no more be a foreign word.

The "Cutter" used to "Koetter," sat s.einem cutting table and celluloid film has zusammengeschnippelt. Today we call something like more "Video Editor", but we call ourselves Cutter Cutter (and the people from the "industry") :-)




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