Logo Logo
/// 
After Effects CS 3: Ruckeln beim Export von 1920x1080 HD Material

After Effects CS 3: bucking the export of 1920x1080 HD material



Frage von mojito:
November 2009

Hello s.Alle,

I have a serious problem for me with Adobe After Effects CS3:

My videos jerk exported or not run in real time, after I've edited them in After Effects and create a movie file from them. What am I doing wrong?

I refer to with a SonyXDCAM EX1 HD 1920x1080, Pal 25p. The file that I add in AU is an mp4 file. The composition is synonymous 1920x1080 / 25p.

When rendering, I use the standard settings:

Optimal Settings
Lossless: Format: Video for Windows

My PC:

Pentium Dual-Core CPU E6300@2.80 GHz, 2.80 GHz, 4 GB RAM,
32-bit system, READEON ATI HD4650

I'm desperately slow. So why is that? What am I doing wrong? I would be very grateful if you could help me!

Thanks in advance!



Antwort von Jake the rake:

"mojito" wrote:
What am I doing wrong?


You probably use no RAID system!

In other words, the data rate of your storage medium is too low.

4 plates, and if you purchase a RAID controller.



Antwort von RickyMartini:

It would be far cheaper, the uncompressed clip in PPro CS3 (if installed) import and export to MPEG2 with appropriate settings to! ;)








Antwort von Mylenium:

"mojito" wrote:
So why is that? What am I doing wrong?


Just that:

"mojito" wrote:

Optimal Settings
Lossless: Format: Video for Windows


This is creating 100% of uncompressed data rates and this calculator does not even fast, no preference whether with or without RAID. The resulting data rates are simply too high. the only way out -> compressed format such as H.264, MPEG-2 or WMV.

Mylenium




Antworten zu ähnlichen Fragen:
Atomos stellt 5? HDR 1920x1080 HDMI Kameramonitor Shinobi mit 1000 Nits vor
GH4 Material mit BMD Material zusammenschneiden
HLG Material Export Premiere Pro
Verbessertes En- und Decoding: Updates für Adobe Premiere Pro (12.1.2) und After Effects (15.1.2)
mp4 Clip in After Effects plötzlich grün
After Effects und SLOG2
Adobe CC Updates: Premiere Pro, After Effects und Audition // IBC 2018
Wie am effektivsten After Effects lernen?
Adobe CC Update 2018 für Premiere Pro CC/After Effects CC ab sofort verfügbar
After Effects: Objekte im gleichen Abstand am Pfad animieren
Trapcode Suite 15 für After Effects -- erstmals mit Dynamic Fluids Engine
After Effects zu Premiere - Live Text Problem
Technik Oscar u.a. für Adobe After Effects und Photoshop
Problem mit Orbitalen in After Effects CS6
Keylight und After Effects
Viele Neuigkeiten für Adobe Premiere Pro, After Effects und Audition zur // NAB 2019
Messevideo: Tips & Tricks zu Content Aware Fill in Adobe After Effects CC // NAB 2019
Adobe After Effects 2018 Action Essentials 2
Red Giant bringt üppige VFX Suite für Adobe After Effects
Kostenloses Script für in Adobe After Effects gestylte Untertitel in Premiere Pro
Adobe After Effects und Nuke jetzt Teil der Netflix Post Technology Alliance
Seminar: Grundladen Adobe After Effects
Alte Premiere Pro und After Effects-Versionen?
Adobe MAX - Auch neue Funktionen für Premiere Pro, After Effects und Co...
Lehrreiche Geschichtsstunde zur Beschleunigung von After Effects
Virtuelle Kamera - GoPro FX Reframe-Plugin für Premiere Pro / After Effects

















weitere Themen:
Spezialthemen


16:9
AI
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avid
Avid Media Composer
Cam
Camcorder
Camera
Canon
Capture
Capturing
Clip
EOS
Editing
Effect
Error
Export
File
Files
Film
Final Cut
Format
Formate
HDR
Import
JVC
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Monitor
Movie
PC
Panasonic
Pinnacle
Pinnacle Studio
Player
Premiere
RAM
RED
Recording
Red
Software
Sony
Sound
Studio
TV
Tape
Video
Videos