Frage von Cinoa:
The representation of a course (Blue Gradient) STRIPS shows in the presentation both in the preview as synonymous for the export. Mov.
Has anyone an idea where this comes and how to avoid it?
Antwort von Axel:
It annoyed many, myself included. One thread, blind from the net fished:
Here. I guess you mean this "banding". The responses of the specialists say it so: In 8-bit has an artificially generated course precisely these gradations. It will be called to remedy the situation. Basta.
That may be so. But why only produced
as a motion
in an 8-bit defined Project (!) This Effect, Final Cut Pro and AAE but not? You can make the test: Loading the same (8-bit or higher, scheißno preference) course in Photoshop once in Final Cut Pro and once in motion.
An alternative lies in the Render Preferences-bit float. " In a promotional text for Motion 2 will explain why it is synonymous for 8-bit material funzt:
True Film-Quality Output
Of course, Motion 2 delivers absolutely Dazzling image quality. It provides not only superb detail and extremely fine color accuracy, but eliminate those ugly banding artifacts. Remember, s.16 bits per channel, you have 65.536 luminance levels per Red, Green, or Blue channel to play with in your Motion 2 designs. At 32 bits per channel, that's over 4 billion luminance levels per channel. And because of its built-in support for float processing, you can take advantage of s.unprecedented level of dynamic range, retaining detail when you're working with Open EXR High Dynamic Range images and their super-white pixels.
Not outputting to film? Motion 2 allows you to use 16-bit and 32-bit float processing even when outputting your finished projects p.8-bit or 10-bit QuickTime files. That means your motion graphics will display with superior quality even when your final output is restricted To p.8-bit video environment.
Antwort von Cinoa:
Thanks for the speedy and comprehensive reply - very helpful and informed.
Happy Easter wishes Cinoa
