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externer Audiorecorder für Dreh

Audio Recorder for external rotation



Frage von Beat-Version:
Juli 2008

Hi,

Currently we are planning to purchase an audio recorder.

This should have min 4Kanäle have, of course, battery farms can be and 48KHz.

The Edirol R-4 would have been perfect for this application, but has the disadvantage that it is only on LANC cameras synchronized with the leaves and my knowledge (correct me if I am wrong) is not with our SonyPDW-F355L is possible. As would be the R-4pro, but which already twice as expensive.

Anybody know any 4-channel audio recorder (4 Mkrofoneingänge), s.besten with shoulder bag and of course, 48KHz, which is not more expensive than ¬ 1000, or at least not much? Oh, and the above-mentioned Synched with the PDW-F355L is obviously important.

Thanks in advance schonmal



Antwort von M-Kult:

http://www.thomann.de/de/edirol_r4_pro.htm - As Of course you already mentioned.

Did synonymous 2x BNC
An der Cam müssten haufenweise
BNC BNC
An der Cam müssten haufenweise


What multichannel under 1000 ¬, I can not be found.




Antwort von robbie:

Unfortunately there are not synonymous, I have sought, have the same setup actually intended.
now stop directly on the 4 channels of the camera.





Antwort von kuhea:

Hello,

klick doch mal:

http://www.rolandmusik.de/produkte/BR-600/index.php

Can eingentlich everything wa you want, but even more synonymous. And because of the Sycronisation with, I would not worry. Those things run very Zeirstabil and außerdam speed and can adjust Läge synonymous. It costs around 350 ¬.

Greeting Kuhea



Antwort von kuhea:

Sorry,
was a bit too hasty. The device has 8 tracks, but only 2 can also be included. And it is only 44.1.

Was' well intentioned '.

Greeting Kuhea



Antwort von Schleichmichel:

You probably only ever get either 2 channels simultaneously with synchronization possibilities, or even more channels, but without synchronization possibilities.

But since you can beat flaps yes, one could use the R-44 Edirol of look. Synchronization jack but unfortunately only for a second R-44 to the cascade (which is synonymous, but not bad).



Antwort von robbie:

possibly yes, the R44 a real-time code generation time. on the same camera, and you have at least an "art" synchronization.



Antwort von M-Kult:

Somehow, I probably still not quite geschnallt.

If you have a TC in at Cam and has an output of the audio recorder, the number of channels but no preference.

The Edirol R-4 Pro can SMPTE LTC-out via BNC output.
So it should work, right?

Confused greetings



Antwort von Schleichmichel:

"M-cult" wrote:
If you have a TC in at Cam and has an output of the audio recorder, the number of channels but no preference.


Questioner wanted to at least 4 channels possibly under 1000 ¬. In the price category but unfortunately there is either cut in the channel number, or just enough channels, but no sync option. That said I do.



Antwort von B.DeKid:

As far as I know

Looks like this the

Audio Out to TC TC Cam In = 'master to slave "
TC Cam Out to Audio In TC = 'master to slave "

Say the device which sends the TC signal is crucial for the TC / Sync. of the material or to start the respective "slave".

........

The number of audio channels of the "interface" are first "relatively" to consider, should the audio recorder the TC pretend.

What is better now, so the source (camera or audio) Now the TC should pretend depends most of the deployment, as I've no idea / plan / of.

Würde mich mal intressieren but synonymous.

MfG
B. DeKid



Antwort von M-Kult:

"Surreptitious Michel" wrote:


Questioner wanted to at least 4 channels possibly under 1000 ¬. In the price category but unfortunately there is either cut in the channel number, or just enough channels, but no sync option. That said I do.


Siehste Ah, I misunderstood. :)

@ Will Be a tape recorder with a



Antwort von robbie:

The number of channels is no preference because the TC-internal signal is redistributed so again.

The SMTPE signal cameras working at something other than it is of audio equipment is used.
Each Professional Camera has a built-TC generator, which means they can always serve as a master. The TC-Sync works synonymous then next, when the cable was removed and no longer all the time the TC signal.
Furthermore, it needs no "back channel" of the TC signal s.das other.

You connect your filming shortly before the TC out of the Edirol (which serves as the master) with the camera, set all switches correctly, and voila, the devices are synchronized, if you now synonymous out.

As I said, TC between Camera and audio equipment is to be understood as only between audio devices, which (as with word-clock) signal constantly need.



Antwort von M-Kult:

zum Bild

Thanks for the info, I will still sync to the professional;)




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