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Audio für Fernsehen mastern

Audio mastering for television



Frage von Thornliner:
Dezember 2009

Hello. Caveat: I cut with Final Cut Pro and send my sound by soundtrack. I Can someone perhaps explain the workflow for mastering the audio of a clip, so he s.end of broadcasters is removed? I do not know much of the sound editing and just know that my level does not exceed -9 dBFS. So far my deliveries are "too limited" - I always raufgeklatscht nen limiter and pulled gain. This is wrong ... It has been suggested to me, before using a compressor. What am s.verzweifeln thresholds, etc. As ratio. Why is the matter still nen maximum level of 0 dBFS anyway if nothing is allowed on the full scale of -9 dBFS?
To send a tip or a basic workflow for which you are about to, I would be very grateful - for stupid comments based on my training holes.

Greetings, greetings



Antwort von deti:

"Thorn Liner" wrote:
Why is the matter still nen maximum level of 0 dBFS anyway if nothing is allowed on the full scale of -9 dBFS?


Because of the EBU has been prescribed:
http://www.ebu.ch/CMSimages/en/tec_text_r68-2000_tcm6-4669.pdf

Deti



Antwort von Randoms:

Just try to put the multimeter in the MASTER channel plug-in Soundtrack Pro, so you have ne good overview, as you will see that is the analyzer with Peak & RMS. Dark and light blue areas will be displayed, because you can distinguish the well.

You could be an example with a compressor to compress the signal so the master does not exceed the one hand, the peak at your target and lift on the other, quieter signals so they do not fall below the specifications.

Of course you can use the Masterkanalzug synonymous still high and up an down, therefore, are dependent not only on your Gainwerte in the Compressor plug.

And a limiter you can reinnehmen still synonymous with if necessary.
At least this is a way for me to come to fruition.
Perhaps it is indeed to show the Vollprofi one or other of the other way can.

Then I would otherwise synonymous great if the audio issues would grow here in the forum Soundtrack Pro or even a separate chapter would get.








Antwort von nahmo:

Hello,

the basic workflow you call really short, so even himself: Material compress () to restrict the Dynamics and then get back with the limiter on the desired level.
The settings of various parameters such as threshold and attack, etc., are always dependent on the starting material or from the desired result. Therefore, I can give you no general settings.
Maybe this will help you the next but already a bit:

http://www.bws-tonstudio.ch/kompressor.htm

Greeting

nahmo



Antwort von Thornliner:

Dankeschöööön - I'll try my time off.

Greetings and good work!



Antwort von Pianist:

"Randoms" wrote:
Perhaps it is indeed to show the Vollprofi one or other of the other way can.

I would like to know first time, paving the ORIGIN is listening and measuring.

Matthias




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