Hello, \u003cbr /\u003e\u003cbr /\u003e I cut on an Apple Mac Pro withAvidMedia Composer 6 Marketing clips for movies. A very good broadcast monitor I've been looking for, now a new alternative for both my old 4:3 17''. \u003cbr /\u003e\u003cbr /\u003e 've Already read through many threads here and in other arenas and researched over synonymous miser, but I come to any satisfactory result. \u003cbr /\u003e\u003cbr /\u003e So my Question a.Euch Avid editors (;): Do you have recommendations for me, regards 16:10 (: or 9, or 4:3) screens in single-or multi-monitor mode? \u003cbr /\u003e\u003cbr /\u003e I am requesting comments Avidnutzer competent as the average with FC and other softwares in other functional Liquiditations is possibly. \u003cbr /\u003e\u003cbr /\u003e I'm looking forward to your tips! \u003cbr /\u003e\u003cbr /\u003e Lots of love, \u003cbr
Antwort von NEEL:
What have you been broadcast monitor? A Class 1? Please report. I flirting with the here: JVC DT-R24L4D, but the broadcaster is not, strictly speaking, but just a good monitor. Or SonyPVM-1741, the small, but should be a true CRT replacement. To cut enough IMHO the Eizo Foris FX2431, which is not synonymous shoot into Money.
Antwort von l.o.k.i:
Thanks for your reply. I write tomorrow, which is the monitor. I'm sitting at home synonymous a.einem 24''. Am the opinion that a single 24'' fuerAvidausreicht not, or how your workflow is that?
Antwort von NEEL:
Proper Avidschnitt? The two JVC and Barco a class-1 partial ;-) But why? Have for years cut with the DV-day shipping on notebooks were synonymous. 35mm-Steenbeck's were not bigger ... The first 95 years the history of film has to be cut and cleared quite small Guckloechern several Oscars ;-).
Antwort von l.o.k.i:
I'm not saying that cutting does not synonymous to small monitors. Nowadays we to deliver everything as possible in no-time ;) \u003cbr /\u003e\u003cbr /\u003e And since I do not have much work experience and was thrown into cold water, I just ask the other editors and their work experience seriously intentioned tips for an appropriate, current monitor design :) \u003cbr /\u003e\u003cbr /\u003e offtopic: I would like to invest more money and terrible time in more Super8 analog interface, but therefore I must first successfully work ;)
Antwort von l.o.k.i:
It is a Lacie 324i. According to reviews not just the best, but I'm satisfied. \u003cbr /\u003e As a setup I've got a colleague of the Apple Cinema HD 30'' recommended. Unfortunately, one can only buy in Poland, is too uncertain. Instead of a 27'' 30'', he would be using it for my little workspace. Two 27'' it would be, however exaggerated ... \u003cbr /\u003e\u003cbr /\u003e For a dual-monitor setup, which Monitorgroesse would you recommend? \u003cbr /\u003e\u003cbr /\u003e Lg, \u003cbr /\u003e loki
Antwort von srone:
2 x 24 "for the software and 1 x 24" as a full screen preview. \u003cbr /\u003e\u003cbr /\u003e lg \u003cbr /\u003e\u003cbr /\u003e SRone
Antwort von NEEL:
Well, wenns comes to colors, has a Class 1 Monitor ago. The old CRT nachgeschmissen parts there are of the lucky. Cutting only submit two 24er, but pay attention to frequencies. The Foris you're doing nothing wrong already.
Antwort von Valentino:
Foris is an alternative to the new 16:10 24 "HP monitor. \u003cbr /\u003e Have there once opened a different thread: \u003cbr /\u003e http://forum.slashcam.de/test-24-quot-hp-zr2440-vt97060.html \u003cbr /\u003e\u003cbr /\u003e As long as you are with native P-signals is working on the monitor determines a low cost solution.
