Infoseite // Avid Pro title and the generation



Frage von Chris555:


Hello dear Slahcam users,

Avid had a roll title or a marquee guy in my film generates.
Unfortunately, these flickers when playing very strong.

At least the font is large enough and contains no serifs.

Is there a way to reduce the Halbbildfilmmern?

Gruß,
Chris

Space


Antwort von Markus:

"Chris555" wrote: Unfortunately, these flickers when playing very strong.
If the font is large enough and sans serif, then remains as a common cause in fact only the brightness left. Did you video white (235/235/235), Super White (255/255/255) or something else set?

I assume that the flicker you had s.Videomonitor and Television found and not s.Computermonitor? Is it a 50i video?

Space


Antwort von Chris555:

Hello again,

So the Avid is a 25i Project. - Why should I create 50i Project?

The flicker, I have found s.Computermonitor. Even in the Avid, as a preview. On TV on DVD and s.Vorschaufernseher I have a little less flicker.

Sure, 235/235/235 as color and a font without Seriefen I set synonymous.

What are the major film companies and the only one with which the programs work? The guy always looks great but where from. But also would have the same level of quality to go.

Gruß,
Chris

Space


Antwort von Chris555:

Sorry, it had looked at again. In the Avid, it is a 25p Project.

Gruß,
Chris

Space


Antwort von Markus:

"Chris555" wrote: ... 25i Project. - Why should I create 50i Project?
Since we seem to talk about the same. 25i, the new name for 50i, but the latter is still very much next disseminated. So I use still the description of 50i. :-)

"Chris555" wrote: In the Avid, it is a 25p Project.
Since both s.Computermonitor as synonymous s.Television flickers, but times must I ask you what exactly the "flicker" understand? A bucking, I could imagine, precisely because of 25p, but a flicker in the sense of a line flicker in interlaced video ...?!

Space


Antwort von Chris555:

Quote: A bucking, I could imagine, precisely because of 25p,

Could you explain why at times the 25p Fonts Project-setting for the TV is capable of.

Then I will assume that a tape with the 2 / 25 seconds was followed with the Project-25i setting should be recorded.

Gruß,
Chris

Space


Antwort von Markus:

"Chris555" wrote: Could you explain why at times the 25p Fonts Project-setting for the TV is capable of.
It depends on the TV from (tube or LCD / Plasma) and the DVD player and its connection to the television, whether 25p is useful or not. The entire playback chain should be progressive image sequences support. - Also you must bear in mind that running scripts is not allowed to run as fast as in 50i (25i), because otherwise the impression that they are bucking.

"Chris555" wrote: Then I will assume that a tape with the 2 / 25 seconds was followed with the Project-25i setting should be recorded.
2 / 25 s = 1 / 12, 5 s. With such an exposure time to make but no film. And even if it is based are usually s.Aufnahmeformat of the camcorder.

Space


Antwort von Chris555:

"It depends on the TV from ..."

I can not quite believe it. Sure, a little, but that is not crucial.

"Playback chain should be progressive image sequences to assist."

So a 25p project in AVID create. And 25p of the CAM to restore, if possible. Or in the movie and afterwards Progressive Conversion in After Effects for example, and then mount the rolling titles. Or?

"... ... s.Aufnahmeformat based on the camcorder."

My camcorder is with 25i (2 / 25 s) on. And that is synonymous in AVID Project created.

Conclusion: Probably no optimum roll title possible, as the exposure time is too low. Or?

Gruß,
Chris

Space


Antwort von Markus:

I am afraid that your concern is opening up to me not entirely successful. So at a time:

1. In what format (not with the exposure time) you have the recordings made? MiniDV, SD, PAL, 720 × 576, 50i (or 25i called new German synonymous)? Or something else? Which camcorder (Manufacturer? Model?) Recordings were made?

2. What settings (and what software?) Were recorded gecapturet? (Optimally, the data on your computer after you capture exactly the data on the tape, that is has been left unchanged).

3. What project setting, you have to edit in Avid elected? (Usually, the project settings, either the original material, to maximize quality unchanged until the end to ensure the final format, or if space is used and only one distribution is pending).

4. What is the purpose of your video editing? A video for the Internet? A DVD-Video? Something completely different?

Space



Space


Antwort von Chris555:

Hello,

had with a SonyDCR VX-20000: PAL, 720x576, Belicht.-Time: 2 / 25 s and recorded in 25i. Captured with AVID Xpress Pro: Previously with 25i Project created. Think AVID captured: 1:1.

Interlaced with Camera, which is in AVID Project (25i) is created, captured, edited and Roll titles produced. Ext. Mov off as a reference.

Goal: DVD product. With Sorenson Mov via reference to a DVD_PAL_Large: mpv mpg, or (2) changed. The Halbbildverfahren can be maintained or off.

Did you have a quality of earnings, if half the reserves? And what happens when the DVD is synonymous s.einem Beamer and s.TV not only want to see? Are there fields synonymous to a full-recognized?
Possibly. There are in the menus of the various settings for this projector. Did it synonymous s.TV via DVD player.

Greetings and thank you for the effort,
Chris

Space


Antwort von Markus:

"Chris555" wrote: ... have with a SonyDCR VX-20000: PAL, 720x576, Belicht.-Time: 2 / 25 s and recorded in 25i.
I suppose you think the VX2000? This can really only record interlaced, because the progressive fashion with (estimated) 12.5 fps beyond.

But just as with an exposure time have you filmed? Or do you maybe 1 / 50 s instead of 2 / 25 s (which is 1 / 12, 5 s, which is only every 4th frame where a change of image!)?

In your way ahead, I can not really detect errors. Perhaps time will show you a short video, which shows the problem?

"Chris555" wrote: Did you have a quality of earnings, if half the reserves?
To that extent yes, as that "Resolutionder movement" fully preserved and nothing in any form or converted will be merged.

"Chris555" wrote: And what happens when the DVD is synonymous s.einem Beamer and s.TV not only want to see? Are there fields synonymous to a full-recognized?
Whenever a flat-screen TV or Beamer "a normal video" will be played, is next to a scaling synonymous deinterlaces instead. The devices make the car, because otherwise would be in motion picture content line-like structures. A select options from the menu is not required.

Some time ago here and debate about whether video output devices 50i-25p make videos or maybe even each field individually scaled. It was observed that several times already that 50i video look like a liquid such as 25p, which suggests the conclusion that the television creates internal 50p.

Space


Antwort von Chris555:

In the Instructions of the CAM is 2 / 25 s using Halbbildverfahren, so television friendly.

Thank you for the flat-screen televisions and projectors Info.
Therefore a staircase effect, I have always been. Only funny that in front of the AVID off is not visible. I have before, that the staircase effect s.nach rear edges and running as arches because the deinterlacing is not 100% implemented. I may be wrong but synonymous!

There are flat screens with a so-called "3D IP detection" and have thus the name: "Jaggys" tremendously reduced. Is there any such effects in dieversen programs?

Would really like to take a Comparison with other programs are cut. Perhaps some day you will find on the Internet such comparisons or film image comparisons. Even once seen such comparisons?

Gruß,
Chris

Space





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