Frage von Jason:
Moin,
I turn in the near future, a Short Film with the FX1. What settings have provided you with the best pictures?
I have found here on the web:
Antwort von r.p.television:
Do not do it.
The Cineframe mode only simulates progressive scan. Here is written just one frame to the two fields. But with all its drawbacks. The motion display looks like s.TV under strobe lights. Extremely choppy. 've Been synonymous with the FX1 accidentally ausporbiert because a friend had been adjusted in the menu was.
I do not assume that you want the new exposure film on 35mm. Take for a DVD production or a later television broadcast ever, the 50i HDV settings, so 50 fields at 25 frames. HDV was designed for the synonymous and gives the best picture quality. For later stills, slow motion or reverse-video and making the necessary de-interlacer now working well enough so that the image quality does not fall into the basement.
Liebe Grüße, Mike
Antwort von Jason:
And if the outcome is for the screen, you can connect the then synonymous in the barrel? Can not you recommend the shutter 25 Adjustment? Thought this would be to have a few more people?
Antwort von prem:
Would be of interest to me synonymous with setting the shutter from 1 / 25.
Clearly, the picture no longer as sharp. The magazine said proffesional "kamer man" was that the picture is then progressive. What is wrong somehow synonymous, sure - but the setting is good sense?
Antwort von stantorley:
None?
Antwort von domain:
For an exposure with 1 / 25, the FX1 is working in quasi-progressive mode. That is, the recording is indeed s.sich interlaced, but there are 2 fields out a full-screen and recorded the same row. The effect corresponds to 25 progressive frames per second. To recommend for Lowlightaufnahmen rather static, but otherwise not really.
LG Helmut
Antwort von Spell:
the cameraman (I think 2 / 2006) is again what the fx1 inside. AGAIN there is highly recommended with 1 / 25 film them. it comes to 35mm adapter and the light loss.
