Frage von Heiner Kunk:
Hello,
I wonder if I should go for a better setting (ONE) to the studio, or that it turn out. Two men face each other and pee into an open manhole shaft. This is to be filmed of the Page, ie a left and another right.
Oh, they really do not pee, but only do so ... Trousers, only the firm stance can be seen. This difficulty is not present. However, I am not sure how well you hinbekommt by the BLUE SCREEN, so not everyone sees the same Volldepp that the studio has been rotated. I mean, there is a scene in the context of art / installation, but it should not look too much à la fake.
Antwort von 50Chris:
Why would you want turn the vor'm Blue Screen?
Antwort von jwd96:
I think there should be no problem there to film it real. Blue screen it uses so usually only if something is not feasible in the real world / too expensive.
Antwort von marwie:
Why not to turn out the scene? If a scene can turn into real, I would always prefer. Blue / green screen would I use only when the scene is not feasible either in real or only with very great effort.
Antwort von Heiner Kunk:
Well, the thing is. The weather is not always predictable, the time-limited. I thought then we could act flexbiler. Although the pencil later think that it would be better s.einem other place to turn. my thought was pure plantechnisch
Antwort von B.DeKid:
Once with both film screen and one without significant s.Schluss just what works better.
Tracking Marker s.Screen not forget!
MfG
B. DeKid
Antwort von pilskopf:
I would turn out side, you must expose it already looks so damn good it s.end synonymous real, when the hinbekommt at all without messing for hours with AE s.Picture. The human eye is as yet quite challenging and usually detects fake immediately.
Antwort von Heiner Kunk:
thank you for your assessment
