Infoseite // Cinematic Resolution - Request for Literature



Frage von Nacho:


Hello,

I'm looking for literature on the process of cinematic Resolutionvom text (or script as an interim step) to the film. In particular, I would step between the text and image design decisions for the theoretical foundation. Times someone has a song ready? About references I would be very grateful!

Danke schon mal in advance!

Nacho

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Antwort von Nacho:

For the evening readers / innen: hochgeschoben.

PS. "Film understand" and "grammar of film language, I know.

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Antwort von DWUA:

It would be good if you formulate the question more precise and concrete
could represent.
It is probably not for you literature about literature, or maybe?
"Text ... script ... cinematic resolution ..." is too little informative.

:)

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Antwort von Nacho:

"DWUA" wrote: It would be good if you formulate the question more precise and concrete
could represent.


Thank you for your Council, DWUA!

"In the pre-made (the Director), together with the cameraman, the so-called" resolution "at which the script scene by scene into individual camera settings will be divided." (Becher (2007): Short Film Production. Konstanz: UVK. P. 50

For my dissertation, I need criteria / competencies to formulate, in the "transcoding" or "translation" of text (literature, but synonymous script written language) to the film used.

I myself think about it next.

Thank you,

Nacho

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Antwort von Axel:

"Nacho" wrote: For my dissertation, I need criteria / competencies to formulate, in the "transcoding" or "translation" of text (literature, but synonymous script written language) to the film used.
The here From the script to the shooting schedule.
If these books do not answer is where the interface between creative interpretation and bureaucratic breakdown, is determined to further reading.

Off the cuff, I would suspect that this interface between a conference director, executive producer and director is equipment. Lists and messages are out-and reciprocating. For a dissertation are the descriptions of the professions (as in a collective agreement) is less revealing than descriptions of the actual sequence - synonymous basis of examples - from literature and
possibly their own research (interviews).

In this
http://www.amazon.de/Filmkünste-Produktionsdesign-Peter-Ettedgui/dp/3499606631
- Unfortunately, these Amazon links sometimes not - Book, for example, is the basis of interviews show that the production design (as a concretization of the script summoned belief) that are not considered to be less creative or more craft of filmmaking Page understands. The craft is only the basis for the painters and carpenters are efficient to be able to place orders. Since set-design always synonymous with respect to camera and lighting must be planned, these areas also s.der planning. And in various film projects with various directors are synonymous different skills (keywords genre specialists or writers / art film).
"Nacho" wrote: "In the pre-made (the Director), together with the cameraman, the so-called" resolution "at which the script scene by scene into individual camera settings will be divided." (Becher (2007): Short Film Production. Konstanz: UVK. P. 50
This sentence sounds exactly like a collective agreement. Many directors decide with the cameraman on the spot from which perspective is taken a stand,
possibly filming with multiple cameras, or cover several possibilities to cut the options to leave. Others follow a rigid pattern, then the script in the final version is already subdivided into settings. For the planning of special effects (for example, with composite green screen shots) is such a precise planning of course mandatory.

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Antwort von Schleichmichel:

Works not because of the umlaut

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Antwort von Nacho:

Thank you for your feedback, Axel!

"Axel" wrote: For a dissertation are the descriptions of the professions (as in a collective agreement) is less revealing than descriptions of the actual sequence - synonymous basis of examples - from literature and possibly their own research (interviews).

Exactly. Thanks for the tip on interviews. I have been told s.der IFS in Cologne would be accessible to people - have occurred if I'll just go sniffing gone to look.

"Axel" wrote: In various film projects with various directors are synonymous different skills (keywords genre specialists or writers / art film).

I know. In my case, it is primary school, so I must somehow "didactical cut" as far as possible without giving them opportunities to advance. It's mainly about how my children "tools" in the hand press can be to them as guidance for the creative leap from text to Picture can serve. It is clear to me that there is no 1 to 1 correspondence are - primarily, it is important that they can explain why they chose a certain attitude / perspective / motion / speed in the assembly or to decide that they are proposals " Standards (halbtotale establishing shot, etc. ..) can get if they do not mind.

"Axel" wrote: Many directors decide with the cameraman on the spot from which perspective is taken a stand, possibly filming with multiple cameras, or cover several possibilities to cut the options to leave.

So it is for us synonymous look. The children prepare the camera storyboard with drawings and pictures (shooting is our school), which determines the shooting will be. We are synonymous 2 cameras available to us to secure material or ways to keep open.

"Surreptitious Michel" wrote: Works not because of the umlaut
Is what I missed?

For literature:

I have "storyboards. From the Text to subscribe for the film" Of Marcie companion fetched. A real (practical) relating to good book.

This I have good reviews for "Crash Course film resolution" of Jeremy Vineyard and "The right attitude" of Steven Katz found, both of Zweitausendeins, but somehow they seem to get his nirgendswo: - /

Thanks again!

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Antwort von urmel:

"Nacho" wrote:
"Surreptitious Michel" wrote: Works not because of the umlaut
Is what I missed?

...

This I have good reviews for "Crash Course film resolution" of Jeremy Vineyard and "The right attitude" of Steven Katz found, both of Zweitausendeins, but somehow they seem to get his nirgendswo: - /


For one ... the link works not because of the umlaut.

For the second ... "The right attitude" I was quite okay, "Crash Course film resolution" rather no. Perhaps synonymous Books about visual communication in general interesting. If at least one of the most important elements of the image design / visual language. However, no book at hand, has so far only in such books look sniff.

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Antwort von Nacho:

"Anonymous" wrote: "Nacho" wrote: "Surreptitious Michel" wrote: Works not because of the umlaut Is what I missed?
For one ... the link works not because of the umlaut.
Thanks for the translation :-)
"Anonymous" wrote:
For the second ... "The right attitude" I was quite okay, "Crash Course film resolution" rather no. Perhaps synonymous Books about visual communication in general interesting. If at least one of the most important elements of the image design / visual language. However, no book at hand, has so far only in such books look sniff.

Thank you - I think I try it from the Library to pick.

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