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DV zu HD mit Premiere

DV to HD with Premiere



Frage von tauchertraum:
Januar 2009

Hello experts,
I have some sin zwatr the search found nothing but what I really next helps.

I have Premiere Cs3 and soon to upgrade to CS4 and each volume DV material I am now with HD msichen would like to see it via the PS3 can play Bluray.

Problem is the Dv is 4:3 and I find no way into it to Prime interpolated.

Eich exported in the whole HD 25i Dv material is not interpolated.

What can I do and makes the remotest sense at all?

Thank you very much



Antwort von beiti:

Quote:
Eich exported in the whole HD 25i Dv material is not interpolated.
Yet. If you are in HD exportierst will always auto interpolated. (Otherwise, would technically have no HD format out.) "Interpolation" is yes, that new intermediate pixels can be calculated. That is always the case when the resolution is changed. With the aspect ratio has nothing to do.

A quite different question is, as you with the 4:3-format circumvent want. The decision, the software can not remove you.
By default, Premiere will be a "Pillarbox format" of it, ie the original format and left / right to build thick black bars.
Alternatively, you could enlarge the format and the top / bottom trim, but then you'll often times half the heads cut off and the procedure is appropriate only if you get the cut scene for scene manual shift.
Another possibility would be a "compromise format", ie top / bottom trim and little more narrow black bars left / right. So for example the BBC, if they are in current 16:9-old Docus 4:3-fitting material.
Well, and then there are the hideous variant, the 4:3 picture to 16:9-full width to be drawn - with the proportions in the Width to be dragged. But yes, hopefully you will not want to do?

Quote:
makes the remotest sense at all?
If you're within a 4:3-old film material and new HD-mix material want, you come to some kind of format adaptation is not around.
As long as you only whole 4:3-movies look like, you can adapt the Television leave.



Antwort von tauchertraum:

Hello Beiti,

then sch probably hear the compromise variant format well. What could, for example in order to be good results to come?

The whole should be a compromise, with small black bars, I can live as long as I use the high quality possible can.

Have I ever synonymous tool Topaz enhanced views, but really do not know whether the money of 399 USD is worth ..

Regards

Micha








Antwort von beiti:

"diving dream" wrote:
The whole should be a compromise, with small black bars, I can live as long as I use the high quality possible can.
The quality is then s.höchsten, if you do not change the format and accept the wide beam. The more you vergrößerst the original and top / bottom image information away, the more clearer picture defects.



Antwort von tauchertraum:

that is clear, but it looks terribly out when a film runs continuously toggles between the bar and with no bar .... So a compromise ago where I had but keien idea what that might be ..



Antwort von beiti:

"diving dream" wrote:
So a compromise ago where I had but keien idea what that might be ..
It is less a technical issue (the software you get any kind of compromise out) as a creative choice between several evils. The facts are well known to you.



Antwort von tauchertraum:

Thank you. To get the whole thing now practical to make, I think I use this filter to transform and zooming. right?



Antwort von tauchertraum:

still small ne supplementary question. How important is the deinterlacing. I have the DV material längszerrungen drin during rapid movements, which is hereby hangs together?

Sorry for the ignorant questions



Antwort von beiti:

"diving dream" wrote:
still small ne supplementary question. How important is the deinterlacing. I have the DV material längszerrungen drin during rapid movements, which is hereby hangs together?
If you have DV 576i to 1080i HD transformierst should be half correct. In the spirit of the movement representation it would be even counter-productive to deinterlace.

With fields can always come something thrown (swapping the half-order), so far you have your whole workflow investigated.

The representation within this premiere is obviously not reliable. What is decisive is what actually s.Deiner PS3 arrives.



Antwort von Jörg:

Now, the compromise could be made using the footage in its original format, which is based on a subtly animated background läuft.Da but the size differences are quite big, maybe the footage puts 2 fold PiP interpreted as a show.
Basically, all these attempts are only crutches if s no other way, one might do such a thing .... much depends on the topic, not all images are displayed,
so are the proportions of:



Antwort von tauchertraum:

Thanks you two, then I'll compromise ...



Antwort von beiti:

The method of Jörg think I'm quite clever, because it so elegantly the problem of lower Resolutionumgeht and while it still a cool effect as it looks. But obviously something is not in any film, but only if it fits stylistically.









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