Logo Logo
/// 
Digi-Beta Material in After Effects bearbeiten

Digi-Beta material editing in After Effects



Frage von Schmitt:
Februar 2006

hello together

if you have the freedom of choice regarding bildmaterial format for further editing in after effects (I use 6.0 per), which takes you s.besten there?
it's about me digibeta of material to give a copy to the factory and can offer me various formats.

have never before been so directly thought about it, because I have rarely had real influence on the swelling material. now I have my middle man said that I would have gladly material as uncompressed AVI. say in the copy factory, however, is ALWAYS compressed AVI.
but there is still synonymous uncompressed AVI (already, right?). or think that, you can not do it without loss of digibeta convert to AVI?

a colleague who is one synonymous effektbearbeitet part of the same films
as TARGA (white type but not with how the program works).

aftereffects can even export TARGA both in-as synonymous. now
I wonder what in such a case the quasi-free format selection
s.sinnvollsten is. s.end should be archived in any event, both at the whole ne DVD as synonymous with Mini-DV.

you have suggestions, empirical values, etc.?

Many thanks for the reply ...



Antwort von camworks:

avi is just a container format and can accommodate compressed, uncompressed video is as synonymous. The views are to do their homework.

targa / tiff or some other format without data reduction lends itself s.besten if one wants to receive quality origins. stop is very data intensive.

if you want to archive the final quality of the receiving, you should re-save uncompressed. on longer pieces that will bring too much data. But eg for nen werbeclip it is ok.



Antwort von PowerMac:

Well of course you are taking 10-bit uncompressed material. 4:2:2.
Whether it nem in Quicktime or avi container lies ... no preference.

But Does a raid and a lot of memory.








Antwort von Schmitt:

Many thanks for the reply and advice.

I think I let my views on this TARGA-a Case, who dares wins.
I now have a little bit clever synonymous made in this regard,
but very common in this country do not seem to me to be real
or am I mistaken?

The sequence, which would deal with me is only about 15 seconds long, was
So datenmengentechnisch make any big problems.

If you still think of something that must be followed when, with one
TARGA works, please feel free to post ...




Antworten zu ähnlichen Fragen:
GH4 Material mit BMD Material zusammenschneiden
Resolve 16.3 Beta 3 and RAW 2.0 Beta 3 verfügbar
Forum für Digi-Camcorder?
Digi-Cine-Cams 2020
Digi Receiver-> verschlüsselte Sender
Kein Eurosport beim Digi-Receiver
Suche guten Billig-Digi-Sat Receiver
Suche Live-Streaming fähige Digi-Sat-Karte
Sehenswerter Editing Breakdown!!
Monitor Swit 24" Broadcast/Editing/Set
Neuer Schnittrechner für 4k 50p Editing?
Editing/VFX Rechner für 2000€
Nvidia und RED demonstrieren 8K Editing in Echtzeit
Kollaboratives Sound Editing im virtuellen Tonstudio mit Soundwhale
Livestream Mevo Plus: Livestreaming-Kamera samt Live-Editing
MacPro 6.1 4K-Editing - welchen kann/sollte ich nehmen?
Movavi Video Editor 14 (Plus) mit Auto-Editing Funktion
Gnarbox 2.0 SSD: mobiles Backup und Editing in einer Box
Video Editing per KI läßt Objekte verschwinden und ersetzt Hintergründe
Magix Vegas 19 verfügbar - u.a. mit BRAW Editing und Text-to-Speech
KI revolutioniert die Photographie: Objektbasiertes Editing mit Hilfe von DALL-E 2
Editing-Doku: Walter Murch über Hören und Sehen im Film
Alter, Geschlecht oder Mimik eines Gesichts per KI Photo Editing ändern
LumaFusion v3.1 Update - mobile Editing-App jetzt mit Histogramm, Vektorskop uä.
YouTuber (Luftfahrt) sucht verlässliche FCPX Editing-Unterstützung in gelegentlicher Nebentätigkeit
Anamorphes Material?

















weitere Themen:
Spezialthemen


16:9
AI
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avid
Avid Media Composer
Cam
Camcorder
Camera
Canon
Capture
Capturing
Clip
EOS
Editing
Effect
Error
Export
File
Files
Film
Final Cut
Format
Formate
HDR
Import
JVC
KI
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Monitor
Movie
PC
Panasonic
Pinnacle
Pinnacle Studio
Player
Premiere
RAM
RED
Recording
Red
Software
Sony
Sound
Studio
TV
Tape
Video
Videos