Infoseite // Digital Cinema Spot render problems



Frage von freakbrother:


Hello,
I did get a nice job to create cinema spot.
Where was all very simple. 29 Sec A long animation, in the Floral / Swirl patterns and grow it into a text II.

The requirements are:
" Resolution: 1920 x 1080
" Aspect ratio: 16:9
" Black bars: no black bars required (resolution desktop =)
" Frame rate: 24 frames per second
" fields: no fields (progressive)
" Pixel: Square pixels

The spot is intended as a uncompressed avi rausgerendert be. After 2 hours he was finally ready synonymous. However, no computer plays the movie from smooth. Even the calculator in the production company have problems with it (I was there, unfortunately, synonymous None say what might be the cause, only that perhaps the amount of data was too large). I render the movie as a. Jpg or. Mov is smooth, he played what brings me nothing, because the quality is not sufficient for movies.
Until now I always have only minor animation created with After Effects For this and am rather inexperienced in the handling and creation of digital cinema spots HDV.
So I am grateful for every tip.

Have quite forgotten to mention that of the uncompressed avi ca 4.3 gig in size. If this is important.

Greetz

Space


Antwort von KarlKramer:

4.3 gigabytes in 29 seconds - this makes about 150 MB / s.
The throughput is not created with a normal hard drive.

Space


Antwort von KarlKramer:

You need at least a RAID-0 system with two fast hard disks! We should be in a production company, however, instead of knowing the hands together above your head to beat ;-)

Space


Antwort von freakbrother:

That is the thing that surprised me synonymous. The production company should surely the necessary equipment for such data rates possess. I was only told that it does not. Hmmm.

Space


Antwort von Daigoro:

RAW Avi somehow makes absolutely no sense. (hmm.. except it be on film ausbelichtet be, but it is basically no preference whether a search which can be liquid or not).

The entire conversion in h.264 with approximately 100 to 150 MBit (!) / Sec - there seems no difference you see the original and the film is about 8 times smaller.

Space


Antwort von Chicken:

There have been reasons why the Kinospots to be uncompressed and yes it must be on his computer is not running correctly, if in a digital movie is enough synonymous. A digital feature film has more than 200 GB, is also largely synonymous uncompressed. Guck dir mal data on the closing date to. Movies always uncompressed.

Whether one sees NEN difference or not is no preference, if you have your customer NEN h.264 send it uncompressed though they have to think that you're not capable. Have so if only for you. Also kills you Farbsampling and h.264 is not comparable with RAW Avi.

Space


Antwort von Daigoro:

"Chicken" wrote: Whether one sees NEN difference or not is no preference, if you have your customer NEN h.264 send it uncompressed though they want to have ...

The customer requires the uncompressed input text is not explicit.
Our cinema's here to play (or has played .. I'm not going auf'm) local commercials about NEN popel 'consumer' Beamer, the s.nem popel Schlepptop hung - partly desert format (think: PowerPoint slideshow as WMV and so).

One can, of course, synonymous both make - 1 compressed "demo" video, which preferably smooth running and once the uncompressed original.
Kost nix yes except bit computing

"Chicken" wrote: h.264 is not comparable with RAW Avi.

Everything is comparable. Einstein has said:)

ps the 'digital movies' sets appear to be at 2000 as a Motion JPEG codec.
My general lobhudelung M JPEG as an idea against these intra frame compressed codecs I have already expressed s.anderer place - unfortunately, the support in the consumer area (there's time a camera of Panasonic or Canon - never came to Germany: () mau. One finds hardly solutions in order to create / edit.

Space


Antwort von freakbrother:

I was lucky today, and was the spot on a calculator watch, the 134 MB / s is packed. Except a few minor details have just been solved, is the spot and become super can now be rausgebracht. Thanks s.alle and bis denne.

Space


Antwort von PowerMac:

"Freak Brothers" wrote: (...) Handling of HDV digital cinema spots. (...)

HDTV and not HDV!

"Chicken" wrote: A digital feature film has more than 200 GB, is also largely synonymous uncompressed.

Wrong.

"Chicken" wrote: Also kills you Farbsampling and h.264 is not comparable with RAW Avi.

Wrong. 4:2:2 is synonymous possible. H.264 would indeed be much better suited.

Uncompressed HDTV is only meaningful if gefazt will. Is that so?

Space



Space


Antwort von Axel:

"Freak Brothers" wrote:
Have quite forgotten to mention that of the uncompressed avi ca 4.3 gig in size. If this is important.

D-Cinema server work almost exclusively with JPEG2000. Since a feature-length only 50-80 GB is great, I go of a violent compression of. So far, the promises, synonymous advertising digitizer, not much more than noise and smoke. I appreciate the fact that gefazt be.
A movie-acceptance without banging, compressed Dolby 5.1 sound is also doomed to failure. The picture may seem to be mushy (productions in SD, DigiBeta likely are probably not uncommon), it is at least at least 50% of the commercials, but if it is not powerful scheppert, leaving the client kopfschüttelnd the hall, and the agency asks for, with the sound if everything is ok (Black Peter) ...

Space



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