Infoseite // Expensive Cam Masquerade, filter / plug-in?



Frage von freeflydodger:


Hi friends,

I use a SonyPC6 DV Cam and turn the time a car video. The outdoor scenes look like real professional cameras monitor s.PC for example, in auto motor sport tv or Top Gear to be used. On television, however, one sees clearly the typical IR Optics. On the monitor, the clip somehow look different.

Is there a filter or a plug-in that has established itself here? Respectively. where does the optical difference monitor / TV?

Thanks and greetings

Marc

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Antwort von Kiara Borini:

"freeflydodger" wrote: Hi friends,
On television, however, one sees clearly the typical IR Optics.


Hello,

please what is the typical data-Optics? There are so many different devices that record to DV tape, it would be helpful to know exactly what you dislike.

[list] depth
Motion blur by the motif
Motion blur by the cameraman
Interlacing
Saturation
Exposure [/ list: u: 029b4a8a2b]

And what is your point of reference to monitor Television? The section of the system, or the s.der Camera?

Space


Antwort von Markus:

Hello Marc,

if there is a filter (such as a plug-in there) that would result from second-and third-rate video recordings to make high-quality, professional video cameras were then) (and cameramen hardly a right to exist. But they certainly do. And why? - Just because this filter does not exist. ;-)

Unlike PC-/Videomonitor see the following post (and the links therein): DV capturing and huge loss of quality

Space


Antwort von loehni:

oh well ... a little bit you can have with filters .... what do if you have Premiere, I would recommend you play around a bit with contrasting sharpness, etc. .... or just take sowas:

Space


Antwort von freeflydodger:

Hello!

Thanks for your answers only once. I have looked at the filter times, I think what the last is concerned, one can achieve the same effect with contrast and so synonymous,

but basically true already, ne 'expensive Cam brings better pictures. Find only the halt Optics s.PC a DV recording makes you look much better. There just thought, you could achieve with a filter more.

Nevertheless, Thanks for your help! Must be equal to something else ask in the forum, because I have the weekend cut almost in vain ... the play of the still images are displayed on the Music "jumps" the picture and sometimes swallowed them (only s.TV, s.PC true all) then suddenly the true sound and the picture ... not angry.

Thanks again!

Space


Antwort von loehni:

Quote: ... the play of the still images are displayed on the Music "jumps" the picture and sometimes swallowed them (only s.TV, s.PC anything wrong), then suddenly the true sound and the picture is no longer ...

huh?

Can you tell us once you WObit work? Program? Device?
I would now once you play off a tap Done rendered movie of DVD s.PC? Then the phenomenon is probably of a bad DVD.
Or you make a copy of the movie directly from the PC to the TV (for example, with Premiere s.TV) issue - then your computer probably does not provide enough power for real time rendering effect.

Sewage us to please me, so what are you doing ...

Space


Antwort von Markus:

Hello "löhni" Peter,

Marc has started a new topic. This is next:
Problem: Standbilder in Premiere werden s.TV "verschluckt";-)

Space


Antwort von freeflydodger:

Quote: huh?

Can you tell us once you WObit work? Program? Device?
I would now once you play off a tap Done rendered movie of DVD s.PC? Then the phenomenon is probably of a bad DVD.
Or you make a copy of the movie directly from the PC to the TV (for example, with Premiere s.TV) issue - then your computer probably does not provide enough power for real time rendering effect.

Sewage us to please me, so what are you doing ...


Here we go:

They say "What?" Not "huh?" :)

Adobe Premiere 6.0 with Canopus DV Raptor. I play the DVD does not s.TV, s.PC! On the disc are not you, since I had the same problem with the ripped images on the Cam.

At the performance's can not be synonymous. With the Raptor and one 3GHz Calculator and 1 gig ram that should be no problem. It must be an export bug in Premiere, as the preview in Premiere Preview is perfect fit.

Incidentally, I have opened a separate thread ew to the problem.

Nevertheless, thanks for the help!

Space


Antwort von freeflydodger:

LOL! A little too late posted!

Thank you!

Space



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Antwort von loehni:

Quote: They say "What?" Not "huh?" :)


not in Bavaria ...... ;-)

Premiere really make some shit? (sorry)
Bin switch that is currently of Vegas4 on PremPro1.5 here ...

Space


Antwort von Markus:

Quote: Premiere really make some shit?

No do not, in general. I work synonymous with Premiere and am very happy with it. It lies not only on software alone, if something does not work. The software and hardware environment has a decisive influence on the stability of the entire system.

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Antwort von GhostDog:

I accept that with Bavaria;)

Quote: The software and hardware environment has a decisive influence on the stability of the entire system.

Oh yes, I believe synonymous. I will now dahinterklemmen times, previous projects have been launched without any problems, there must be a simple reason.

Thank you!

Space


Antwort von GhostDog:

I have it! I have it! I have it!

Hahaaa! Dirt problems ... solved!

The following reason:

There are even video tracks 1a and 1b, where cuts have to take place, as synonymous Pictures Premiere no problem, but when I fade of an additional track (Video 2) to 1a, then Premiere has problems. Now I have all faded images of 1a to 1b and now it funzt!!

Nevertheless, thanks for your tips!

Space


Antwort von b:

there are some filters for after effects mimic the look of the film.

the difference between video monitor and pcmonitor ... pc is for technical reasons but full screen video dar. fields. film recording process used by the synonymous "full screen", therefore, contribute full screen "cinematic".
there are likely some of the filters from Field Frame. There she falls in with algorithms to interpolate special.
The cheap solution without the filter is the following. First, the film material to 50% slomo render and then accelerate again afterwards by 200%. fields so that they will go.
Then there is the tool, the magic bullet still synonymous with all sorts of other dvmaterial the hires. cinelook does something similar.

http://www.digieffects.com/frames/cinelook/cinelook.html
http://www.redgiantsoftware.com/magbulsuit.html

http://www.dv.com/news/news_item.jhtml?LookupId=/xml/feature/2003/christiansen0503

gruss
bernhard

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Antwort von bernhard:

just found one defield filter.

the mean T_defield and is included in the bundle Tinderbox3 plugin for after effects. calculated fields of video in full screen at good quality.

http://www.thefoundry.co.uk/pkg_plugins.aspx?ui=5DD2A940-1D4B-4884-AE22-3FCC03D7530A

Quote: Tools
Defield generates a frame from a field. A number of sophisticated algorithms are supplied to create the missing field. Slope adaptive interpolation gives a greatly superior result on angled edges to standard line interpolation methods. A motion mask has been developed to identify areas of the image that are moving and interpolate only these. By preserving static parts of the image less information is thrown away gving a higher quality result.


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