Infoseite // Ext. Audio: Tascam 100 or WR or zoom H4N?



Frage von Numquam:


Moin moin,

I can not decide which, meanwhile, external audio recording device should I buy to the 7D. The price is ansich not a decisive factor.

I am talking simply about the technical differences and the menu navigation for transparency and ease of use and not to forget the performance / quality.

I am not limited to the above equipment if there is other equipment with virtually the same equipment features / criteria I am very grateful for their naming.

I used to work for study purposes with the Marantz PMD 660 or Fostex FR-2LE and Zoom H4.

Now I am certainly encouraged me to purchase the equipment themselves. I'd rather not spend money twice, so I am counting on your experience.

Thank you for your suggestions.


Greetz

Space


Antwort von thsbln:

The Dir of these devices I can say nothing, except that I sometimes tests in forums (it was cinema5d.com?) Have read that the Zoom H4 over longer distances can be no longer synchronized to the internal problems EOS-sound recordings, as both drift apart - the Zoom H4 N, however the problem was more probably not exist.

I've been using short the SonyPCM D50 - due to positive experiences of a friend, very good tests and finally I own "intuition" - recording quality is very good, the internal microphones synonymous, he unfortunately has no XLR connector, but very low-noise mic inputs , the menu navigation is straightforward, it runs with 4 normal batteries that hold a very long time (if I'm s.meinen M-Audio Microdr * ck back ...), think it has a 4 GB internal memory, enough for a first time , bitrates / sampling rates are selectable up to 24 / 96 etc pp: http://www.sony.de/biz/product/digirecorders/pcm-d50/technicalspecs

Tests are certainly more profound in the network, for an overview of these ranges synonymous here, I think:

http://www.amazona.de/index.php?page=26&file=2&article_id=1883&page_num=1

Have fun deciding!


PS http://www.audiotranskription.de/SonyPCM-D50

Space





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