Final Cut Pro 7 - External Tone asynchronous to the image
Frage von bonbon123: Februar 2012
Hello people, \u003cbr /\u003e\u003cbr /\u003e I have the following problem: \u003cbr /\u003e\u003cbr /\u003e Although there are already several threads with the same superscription, I can not help but ask again. Especially since all I could not help thread. \u003cbr /\u003e\u003cbr /\u003e My video was recorded with derCanon5D Mk II (1080p25). In addition external tone (48 kHz, 24-bit). \u003cbr /\u003e\u003cbr /\u003e I've now played through really Saemtliche procedure: \u003cbr /\u003e -.. Tone in wav, aif and as synonymous (Tone) Quicktime Movie with the above specifications \u003cbr /\u003e - Video as ProRes, and synonymous with native H.264 File \u003cbr /\u003e\u003cbr /\u003e I of course always create a new sequence. This then adjusted by automatic function A.The video and before I even upped the ante on the 24-bit tone changed. \u003cbr /\u003e I also made sure all ofthe project window to export out. \u003cbr /\u003e\u003cbr /\u003e For several projects, such as music videos, I could work with at least one of these methods successfully. \u003cbr /\u003e\u003cbr /\u003e\u003cbr /\u003e In my current project (in the example is an interview situation) makes itself felt after yet shortest time an increasing asynchrony of image and tone. \u003cbr /\u003e\u003cbr /\u003e It may not be true that for every research project Final Cut-first must be a whole day, so the tone runs correctly! And to cut every few seconds and re-create is in the amount a.Material (and the lack a.Zeit) excluded completely. \u003cbr /\u003e\u003cbr /\u003e I tried the process synonymous with Adobe Premiere Pro CS5 and there it was right away. \u003cbr /\u003e Somehow, strangely, or
Antwort von Axel:
You have earlier worked successfully with FCP, and now "it works" anymore. \u003cspan style=\
Antwort von bonbon123:
Thanks for the reply. \u003cbr /\u003e\u003cbr /\u003e Yes, I have carried out both on the same computer. The with the XML has unfortunately not worked. Will try it again with different settings. If I have found a solution, I'll post it anyway. \u003cbr /\u003e\u003cbr /\u003e PluralEyes I do not use. Also I have never installed Perian. \u003cbr /\u003e\u003cbr /\u003e The with the default 16-bit could be because the camera's own tone to the 5D is set. White is synonymous but not sure. \u003cbr /\u003e Is that supposed to mean that it basically makes no sense to work more than 16-bit? I unfortunately synonymous anything but a tone expert.
Antwort von Axel:
Then I would say it makes no sense with 24-bit. \u003cbr /\u003e\u003cbr /\u003e It is determined with higher bit depth of video. Probably, at a very costly process to help 24-bit, but will be in dedicated audio programs designed 16-bit synonymous "floated", that is calculated in a higher accuracy and only a.Schluss back to 16-bit rounded. \u003cbr /\u003e\u003cbr /\u003e Whether this can lead to asynchrony? I do not think I do not, but it can not hurt, the automatic 48 kHz 16-bit setting sequence as a test just to keep time. \u003cbr /\u003e\u003cbr /\u003e EDIT: According to the manual leads a different bit depth not to Abspielstoerungen. However, since all Tonberechnungen within FCS are performed in 32bit floating point, 16-bit 48 kHz rich thick. The resolution of a CD with about 44.1 kHz and 16-bit increases the
