N'Äbend, I should shoot for a friend from Bavaria an interview here in Berlin what he wants then subsequently cut on his Final Cut Pro system. As a precaution, I gave him a test file now my Panasonic HD Cam (HDC-SD 300) sent both. Mts how the files in the camera name as synonymous in the. M2ts format, such as the files after the import with the bundled HD-Writer (the 1.0). both in FCP7 he could not open, but what surprises me very much! can now he sits s.seinem apple, I'm sitting here with s.meinem fensterXP pinnacle and not see if that does not somehow go. I read just always assumed that Final Cut can open almost all Pro file formats, and ask why the user of Final Cut Pro here in the forum, if you mts / m2ts can open and he still should have a look, or if Final Cut Pro Just this codec can not. Noting that my 14 is the pinnacle both, I'm going to actually believe that would go (he is still not sooo long in the possession of soft-and hardware, of so I would not rule out that he overlooks anything .
many thanks and a PS: If someone knows of you relatively well with the programming of midi-out equipment and I can answer a short question (will this not an open thread yet;))
Antwort von WoWu:
MPEG2 component installed? http://store.apple.com/de/product/D2187D/A But if s.QT 7.6 no longer be required. When you update to the component is OS10.6 be erased and must be reinstalled by the way .... why always synonymous.
Antwort von srone:
as follows for your midi-question?
Antwort von Bernd E.:
"Paul Berlin *" wrote:
... ... Testfile HDC-SD 300th .. he could not open in FCP7 ... I would not rule out that he overlooks something ...
Final Cut Pro can deal with the data your camera of course, they are only for when playing with "Log and Transfer" in the ProRes format changed, which is much better suited for working as AVCHD. What exactly is set in Final Cut Pro, I can not say, but should in the manual or the help to be found.
... MPEG2 component installed? ...
What role does this when playing MPEG2 component of MPEG4 data?
Antwort von Paul*Berlin:
@ WoWu: I'll ask him tomorrow times, would be very nice if that would solve the problem! Thank you in advance!
@ SRone: We just opened up for live Internet streaming an Edirol V8. It offers many advantages over the Datavideo SE500, the synonymous still fit in our budget, but the great disadvantage that it has no Tally-out. The advantages are outweighed, however, no preference.
For some projects, but I would love a tally right. One could buy for 1000 ¬ ¬ a device for MIDI, but that then acts as Tally-Centrale (or someone put forward a series switch, the red lights and one-off ^ ^). Would be too expensive (or too boring and insecure). I have at Thomann
Antwort von WoWu:
@ Bernd E. Had assumed that it was an MPEG2 camera. Sorry, my fault.
AVC is also clear that he can begin with the stream in isolation. He needs synonymous to log and convert the entire folder structure with the metadata. With the stream alone can not work.
Antwort von Jott:
Final Cut Pro can capture the Marerial only if the entire folder structure exists, otherwise (not need anyway as long to complete Mergen, therefore separate clips). External possibility for converting into ProRes: Toast 10, where the well-hidden file conversion department.
Antwort von srone:
the first would be interesting to know who gives out Edirol midi? on that basis, would be a midi-to-switch converter interesting that closes an incoming contact, depending on the MIDI signal, therefore, would be the behringer bastelarbeit obsolete. s.den then switch output a voltage source and a pear and you tally. in the manual of the Edirol would have to find one site called midi-implementation, they work side with the midi-implementation side of the Syndicate midi-to-switch converters, where it has the functionalities match it would have to synonymous exist if questionable invite but sometimes the midi -implementation of the Edirol somewhere high, then I throw a look a look.