Infoseite // Final Cut Pro in 1920 x 1080

Frage von martin bond:


I guess in 1920 x 1080 and 25 in full (Canon XH-A1) and wants the highest quality in Final Cut Pro 6.0.2 achieve. What are the "Simple Setup" and "Sequence Setting" should I select?
Final Cut Pro offers always 1440 x 1080 an ... I'm sure 'times again a confused relationship with reasoning, or ;-)

Thanks for help (my first post - maybe I overlooked, please answer here in the forum to forgive)

M



Antwort von PowerMac:

Easy Setup: HDV - 1080/50i. In the sequence settings do you Halbbilddominanz on the "No".
Nothing else, no 1920x1080. HDV is 1440x1080.
If you have many effects and the colors you only highly variable, it is recommended as Pro Res 422 codec use. Especially if the format is a DVD!



Antwort von martin bond:

Thanks you for the quick reply. The tip with the codec: Class!

Aaber: Regardless of the understanding 1920/1440: Why 50i, if I film in 25 frames?

FYI: The output is given as (HD) podcast and Flash (25 frames)



Antwort von Daigoro:

"martin bond wrote:
Aaber: Regardless of the understanding 1920/1440: Why 50i, if I film in 25 frames?


http://de.wikipedia.org/wiki/High_Definition_Video

Another approach to Ausreizen the tape format, which is already synonymous with DV, there is the recording in a "progressive" or "Cine" mode, in which all 1920 times 1080 pixels are sampled simultaneously (like 720p) instead of one after another ( " interleaved) half read out. Again, the storage HDV-compliant, which is achieved is that the full cut in two fields in a row on the tape is stored.



Antwort von Axel:

"martin bond wrote: Aaber: Regardless of the understanding 1920/1440: Why 50i, if I film in 25 frames?
Recording: HDV (there are no alternatives)
Sequence: Normally HDV 1080 25p

If you do not have great changes in name, for example, only a simple color correction, fonts and the like, it is enough if you stay in HDV. Important: No automatic background rendering, but the real ausreizen. If a red bar, ignore this and the basis of the Picture Frame Preview (Play Head position) judge. Only s.Schluß render everything.

At 25p, there are no problems, this directly from the HDV timeline s.Compressor to pass for a DVD, standard preset, as you would "i" export. The scaling does not need any odd lines values (as in "i") to be considered. The result can be with a different codec little better. H.264 for HD-format, but for synonymous's Web, is somewhat problematic. Read my question and answers Wowus in this
With a good workflow for compositing (Composite Modes in Final Cut Pro or Shake after transfer) for HDV, I can not say much. Since I make a few experiments and open a separate thread.